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An introduction to the principal forms and orders of Western liturgy between about 900 and 1700, this book explains their nature and basic historical origin, and presents in detail the contents and orders of principal services as well as additional and special forms of worship. This book emphasizes ...

An introduction to the principal forms and orders of Western liturgy between about 900 and 1700, this book explains their nature and basic historical origin, and presents in detail the contents and orders of principal services as well as additional and special forms of worship. This book emphasizes the mainstream of Western liturgy derived from the medieval Roman Rite as found in secular and monastic churches. After the Reformation it concentrates on the rites of the Roman Catholic church and the Church of England. Harper discusses the nature of liturgy and provides an historical summary and individual chapters on medieval churches and their communities, the Christian calendar, medieval liturgical books, the Psalms, the Office, the Mass, Processions and Additional Observances, Holy Week and Easter, the Tridentine Rite, and the English Book of Common Prayer. Harper concludes with two chapters which raise the problems of establishing the order of a liturgical service, and introduces selected medieval sources accessible in facsimile or edition. A select, annotated bibliography and a glossary of ecclesiastical and liturgical terms are included.

This book presents, for the first time, a history of English liturgical chant as performed in the Church of England and its transmission to churches in Scotland and the United States. In the mid-sixteenth century Reformation, the complex ritual of the latin rite was replaced by a one-volume Book of ...

This book presents, for the first time, a history of English liturgical chant as performed in the Church of England and its transmission to churches in Scotland and the United States. In the mid-sixteenth century Reformation, the complex ritual of the latin rite was replaced by a one-volume Book of Common Prayer, in English. The general nature of the new rubrics, expecially for music, left many of the details of performance to be worked out in traditional ways. Thus the music evolved from its Latin roots in oral, and later, written practice. The body of music that makes up the chanting practice of Anglican and related churches around the world is indeed diversified. Some texts of the liturgy are harmonized in four or more voive parts, often with organ accompaniment, and others are sung in plainsong. The largest group of chants, those for the psalms and canticles, has an idiosyncratic written form and a performance practice that continues to evolve in oral tradition. This music is commonly known as Anglican chant. Its origins in the seventeenth century and its codification in the eighteenth are explored in the choral establishments of the Church of England and parish churches in England, Scotland, and the United States.