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The theme that God suffers with his world has become a familiar one in recent years, overturning centuries of belief in an impassible deity. This book both surveys recent thought about the suffering of God and proposes future directions for this important area of Christian theology. Fiddes discusses ...

The theme that God suffers with his world has become a familiar one in recent years, overturning centuries of belief in an impassible deity. This book both surveys recent thought about the suffering of God and proposes future directions for this important area of Christian theology. Fiddes discusses four trends of current thought--the "theology of the cross" in modern German theology as represented in the works of Barth, Moltmann, and Jungel; American process theology; "the death of God" theology; and the rejection of the idea of divine passibility by modern followers of classical theism--while reflecting on the main theme of his study. The book affirms that God freely chooses to limit himself, to suffer change, to journey through time, and even to experience death while remaining the living God.

Graphic portrayals of the suffering Jesus Christ pervade late medieval English art, literature, drama, and theology. These images have been interpreted as signs of a new emphasis on the humanity of Jesus. To others they indicate a fascination with a terrifying God of vengeance and a morbid obsession ...

Graphic portrayals of the suffering Jesus Christ pervade late medieval English art, literature, drama, and theology. These images have been interpreted as signs of a new emphasis on the humanity of Jesus. To others they indicate a fascination with a terrifying God of vengeance and a morbid obsession with death. In The Grief of God, however, Ellen Ross offers a different understanding of the purpose of this imagery and its meaning to the people of the time. Analyzing a wide range of textual and pictorial evidence, the author finds that the bleeding flesh of the wounded Savior manifests divine presence; in the intensified corporeality of the suffering Jesus whose flesh not only condemns, but also nurtures, heals, and feeds, believers meet a trinitarian God of mercy. Ross explores the rhetoric of transformation common to English medieval artistic, literary, and devotional sources. The extravagant depictions of pain and anguish, the author shows, constitute an urgent appeal to respond to Jesus' expression of love. She also explains how the inscribing of Christ's pain on the bodies of believers at times erased the boundaries between human and divine so that holy persons, and in particular, holy women, participated in the transformative power of Christ. In analyzing the dialects of mercy and justice; the construction of sacred space and time; sacraments and ritual celebration, social action, and divine judgment; and the dynamics of women's public religious authority, this study of religion and culture explores the meaning of the late medieval Christian affirmation that God bled and wept and suffered on the cross to draw persons to Godself. This interdisciplinary study of sermon literature, manuscript illuminations and church wall paintings, drama, hagiographic narratives, and spiritual treaties illuminates the religious sensibilities, practices, and beliefs that constellate around the late medieval fascination with the bleeding body of the suffering Jesus Christ.