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This authoritative edition was formerly published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Wilde's poetry and prose short stories, plays, critical dialogues and his only novel - to give the essence of his work ...

This authoritative edition was formerly published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Wilde's poetry and prose short stories, plays, critical dialogues and his only novel - to give the essence of his work and thinking. Oscar Wilde's dramatic private life has sometimes threatened to overshadow his great literary achievements. His talent was prodigious: the author of brilliant social comedies, fairy stories, critical dialogues, poems, and a novel, The Picture of Dorian Gray. In addition to Dorian Gray, this volume represents all these genres, including such works as Lady Windermere's Fan and The Importance of Being Earnest, 'The Happy Prince', 'The Critic as Artist', and 'The Ballad of Reading Gaol'.

What were Wilde's intentions? They had always been suspect, from the time of Poems, when the charge was plagiarism, to his trials, when the charge was sodomy. In Intentions (1891), and in two related essays, "The Portrait of Mr W. H." and "The Soul of Man Under Socialism," Wilde's epigrammatic ...

What were Wilde's intentions? They had always been suspect, from the time of Poems, when the charge was plagiarism, to his trials, when the charge was sodomy. In Intentions (1891), and in two related essays, "The Portrait of Mr W. H." and "The Soul of Man Under Socialism," Wilde's epigrammatic dazzle and paradoxical subversions both reveal and mask his designs upon fin-de-siecle society. In the first extended study of Wilde's criticism, Lawrence Danson examines these essays/dialogues/fictions and assesses their achievement. He sets Wilde's criticism in context, showing how the son of an Irish patriot sought to create a new ideal of English culture by elevating "lies" above history, leveling the distinction between artist and critic, and ending the sway of "nature"u over liberated human desire.

This book is an intimate study of the three giants in Irish literary history: Oscar Wilde, William Butler Yeats, and James Joyce. In addition to constructing a narrative of Irelands political and literary past, Vicki Mahaffey interweaves the lives and writing of the authors into a portrait of ...

This book is an intimate study of the three giants in Irish literary history: Oscar Wilde, William Butler Yeats, and James Joyce. In addition to constructing a narrative of Irelands political and literary past, Vicki Mahaffey interweaves the lives and writing of the authors into a portrait of national imagination, shaped not only by a vast cultural and mythic heritage, but also by the hard fact of English political domination. States of Desire argues that what people desire is fundamentally connected to how they write and read. Not only do language and narrative shape desire (and vice versa), but because these processes are socially conditioned, some political circumstances, such as those present in Ireland at the turn of the century, foster experimental desire more successfully than others. Mahaffey's contribution to the critical discourse on literary modernism is to assign a political motive to the art of modernist wordplay; in doing so, she offers a more compelling and socially driven version of the oft-told tale of literary modernism. Irish writers, she argues, sought to disrupt the rigidity of political thinking and social control by turning language into a weapon; by opening up infinite new possibilities of meaning and association, linguistic play makes it impossible for thought to be monopolized by the state or any other institutional power. In this light, the text becomes a prism of political, cultural, and erotic desires: a fountain of conscious and unconscious linguistic suggestion. Defying semantic control and refuting societal repression, Wilde, Yeats, and Joyce literally fought, in their lives and in their work, for a freedom of expression which--as was painfully evidenced in the case of Wilde--was not to be had for the asking.