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The strength of Empire, " wrote Ben Jonson, "is in religion." In Reforming Empire, Christopher Hodgkins takes Jonson's dictum as his point of departure, showing how for more than four centuries the Protestant imagination gave the British Empire its main paradigms for dominion and also, ironically ...

The strength of Empire, " wrote Ben Jonson, "is in religion." In Reforming Empire, Christopher Hodgkins takes Jonson's dictum as his point of departure, showing how for more than four centuries the Protestant imagination gave the British Empire its main paradigms for dominion and also, ironically, its chief languages of anti-imperial dissent. From Edmund Spenser's Faerie Queene to Rudyard Kipling's "The Man Who Would Be King, " English literature about empire has turned with strange constancy to themes of worship and idolatry, atrocity and deliverance, slavery and service, conversion, prophecy, apostasy, and doom.

Hodgkins organizes his study around three kinds of religious binding -- unification, subjugation, and self-restraint. He details how early modern Protestants like Hakluyt and Spenser reformed the Arthurian chronicles and claimed to inherit Rome's empire from the Caesars: how Ralegh and later Cromwell imagined a counterconquest of Spanish America, and how Milton's Satan came to resemble Cortes; how Drake and the fictional Crusoe established their status as worthy colonial masters by refusing to be worshiped as gods; and how seventeenth-century preachers, poets, and colonists moved haltingly toward a racist metaphysics -- as Virginia began by celebrating the mixed marriage of Pocahontas but soon imposed the draconian separation of the Color Line.

Yet Hodgkins reveals that Tudor-Stuart times also saw the revival of Augustinian anti-expansionism and the genesis of Protestant imperial guilt. From the start, British Protestant colonialism contained its own opposite: a religion of self-restraint. Though this conscience often was co-opted or conscripted to legitimize conquests andpacify the conquered, it frequently found memorable and even fierce literary expression in writers such as Shakespeare, Daniel, Herbert, Swift, Johnson, Burke, Blake, Austen, Browning, Tennyson, Conrad, Forster, and finally

The Phenomenology of Spirit was Hegel's grandest experiment, changing our vision of the world and the very nature of philosophical enterprise. In this book, Solomon captures the bold and exhilarating spirit, presenting the Phenomenology as a thoroughly personal as well as philosophical work. He ...

The Phenomenology of Spirit was Hegel's grandest experiment, changing our vision of the world and the very nature of philosophical enterprise. In this book, Solomon captures the bold and exhilarating spirit, presenting the Phenomenology as a thoroughly personal as well as philosophical work. He begins with a historical introduction, which lays the groundwork for a section-by-section analysis of the Phenomenology. Both the initiated and readers unacquainted with the intricacies of German idealism will find this to be an accessible and exciting introduction to this great philosopher's monumental work.