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Glamorous and intriguing, packed with hundreds of incomparable pictures and marvelous anecdotes about some of the flamboyant personalities of the first half of the 20th century, this stylish volume illuminates as never before the pivotal Russian influence on 20th-century European and American ...

Glamorous and intriguing, packed with hundreds of incomparable pictures and marvelous anecdotes about some of the flamboyant personalities of the first half of the 20th century, this stylish volume illuminates as never before the pivotal Russian influence on 20th-century European and American culture and fashion.

Alexandre Vassiliev, a well-known Russian-born costume and set designer, gives an insider's account of the artists and aristocrats who fled Russia after the 1917 Revolution and went on to play key roles in the European fashion scene. Wonderful stories abound about such noted emigres as Serge Diaghilev and Anna Pavlova, fashion illustrator Erte, photographer George Hoyningen-Huene, and couturier Prince Felix Yusupov, better known as Rasputin's assassin. With its wealth of documentary source material and photographs of stars from Greta Garbo to Marlene Dietrich wearing couture designed by Russian emigres, this exotic fashion book will have broad appeal.

When we think of Italian fashion, Gucci, Max Mara and the meteoric rise of Prada immediately spring to mind. But Italian fashion has a dark history that has not previously been explored. The Fascism of 1930s Italy dominated more than just politics - it spilled over into modes of dress. Fashion under ...

When we think of Italian fashion, Gucci, Max Mara and the meteoric rise of Prada immediately spring to mind. But Italian fashion has a dark history that has not previously been explored. The Fascism of 1930s Italy dominated more than just politics - it spilled over into modes of dress. Fashion under Fascism is the first book to consider this link in detail.Fashion often functions as a tacit means of making a social statement, but under Mussolini it vividly reflected political tyranny. Ones allegiance to the regime was choreographed by the dictatorship with the intent of creating a new national consciousness. Women in particular were manipulated through fashion ideals to create an authentic Italian femininity. Paulicelli explores the subtle yet sinister changes to the seemingly innocuous practices of everyday dress and shows why they were such a concern for the state. Importantly, she also demonstrates how these developments impacted on the global dominance of Italian fashion today.This fascinating book includes interviews with major designers, such as Fernanda Gattinoni and Micol Fontana, and sheds new light on the complicated relationship between style and politics.

Although the Victorian white wedding dominates western bridal dress and large portions of former colonial empires, marriage rituals vary significantly throughout the world. The Japanese, for instance, combine both traditional ceremonies with receptions utilizing western approaches to dress. In the ...

Although the Victorian white wedding dominates western bridal dress and large portions of former colonial empires, marriage rituals vary significantly throughout the world. The Japanese, for instance, combine both traditional ceremonies with receptions utilizing western approaches to dress. In the Andes the bride will personally create a multi-layered dress to showcase her weaving skills. Berber brides in Morocco wear binding clothing that covers their faces, a notable contrast to Canadian prairie-province brides whose stylized gowns individualize and enhance body shape.This engaging book examines the evolution and ritual functions of wedding attire within the context of particular cultures. It raises questions as to the relationship between contemporary wedding attire and traditional values. It discusses the changes international migrations have had upon the wedding dress of several ethnic groups. It provides insights into numerous societal relationships to weddings, such as the ban on bridal-produced embroidery in dowries in India, the challenges individual values have to larger societal ones in themed weddings, and the relationship between the return to pre-western attire and identity politics. Exploring these issues, the authors provide unusual insights into the centrality of dress in shaping individual identity as well as its importance in reflecting cultural values and ideals.