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The essays in this volume represent a collective questioning of the poststructuralist ascendancy, and of the assumptions involved therein, by a group of prominent scholars and critics: M. H. Abrams, Nina Baym, Frederick Crews, Ihab Hassan, David Lehman, Richard Levin, Paisley Livingston, Saul ...

The essays in this volume represent a collective questioning of the poststructuralist ascendancy, and of the assumptions involved therein, by a group of prominent scholars and critics: M. H. Abrams, Nina Baym, Frederick Crews, Ihab Hassan, David Lehman, Richard Levin, Paisley Livingston, Saul Morson, and John Searle. Assembled at The University of Alabama for the 1992 symposium from which this book takes its title, these scholars were charged with the task of examining the truth-value, methodology, practice, and humanistic status of poststructuralist theories and with speculating on what their conclusions portend for the future of theory. Some of the deficiencies "uncovered" in the emperor's apparel include the failure of poststructuralist theory to answer to the complexities of literary experience, its tendency to be self-ratifying, its betrayal of the feminist achievement, its conflation of style and logic, its attempt to impose apocalyptic finalities on history's open-endedness, and its ignorance of much,in current language philosophy. The writings of Jacques Derrida, in particular, come in for skeptical scrutiny by Abrams, Livingston, and Searle. The book concludes with a lively panel discussion in which the audience joins the fray.

First published in 1988, Peculiar Language is now established as one of the most important discussions of the language of literature. This thought-provoking book challenges traditional notions of literary criticism, arguing that all attempts by writers, critics and literary theorists to define ...

First published in 1988, Peculiar Language is now established as one of the most important discussions of the language of literature. This thought-provoking book challenges traditional notions of literary criticism, arguing that all attempts by writers, critics and literary theorists to define the language of literature have involved self-contradiction. Through examination of key moments in literary history, Derek Attridge demonstrates that such contradictions in accounts of literary language are embedded in our cultural concept of 'literature' and asserts that in order to appreciate the forces that determine the limits of literary language, we must look beyond the realm of the 'literary' and embrace the wider political and social sphere. Re-issued as a result of sustained critical interest in the book, this edition includes a new preface by the author.