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Focusing on individual authors from Heinrich Boll to Gunther Grass, Hermann Lenz to Peter Schneider, The Language of Silence offers an analysis of West German literature as it tries to come to terms with the Holocaust and its impact on postwar West German society. Exploring postwar literature as ...

Focusing on individual authors from Heinrich Boll to Gunther Grass, Hermann Lenz to Peter Schneider, The Language of Silence offers an analysis of West German literature as it tries to come to terms with the Holocaust and its impact on postwar West German society. Exploring postwar literature as the barometer of Germany's unconsciously held values as well as of its professed conscience, Ernestine Schlant demonstrates that the confrontation with the Holocaust has shifted over the decades from repression, circumvention, and omission to an open acknowledgement of the crimes. Learned and exacting, Schlant's study makes an important contribution to our understanding of postwar German culture.

Between 1940 and 1945, 110,000 of the 140,000 Dutch Jews were deported to the death camps in Eastern Europe. 80% never returned. In Anne Frank and After the authors focus on two main questions: how exactly did this happen, and how has Dutch literature come to terms with this appalling event? In the ...

Between 1940 and 1945, 110,000 of the 140,000 Dutch Jews were deported to the death camps in Eastern Europe. 80% never returned. In Anne Frank and After the authors focus on two main questions: how exactly did this happen, and how has Dutch literature come to terms with this appalling event? In the book's final chapter they analyze the relationship between history and the literature of the Holocaust. Does literature add to what we know or does it actually distort historical evidence? Based on the work of leading historians of the period, the book examines literary works from Gerard Durlacher, Anne Frank, W.F. Hermans, Harry Mulisch, Gerard Reve and many others. "With its well-chosen quotations (many appearing for the first time in print), presented in a clear and illuminating historical setting, Anne Frank and After is must reading for all who want to go beyond Anne Frank for a more rounded picture of wartime Holland and its Jews." (Holocaust and Genocide Studies--January 1998)

This book argues that Tony Harrison’s poetry is barbaric. It revisits one of the most misquoted passages of twentieth-century philosophy: Theodor Adorno’s apparent dismissal of post-Holocaust poetry as "impossible" or "barbaric". His statement is reinterpreted as opening up the ...

This book argues that Tony Harrison’s poetry is barbaric. It revisits one of the most misquoted passages of twentieth-century philosophy: Theodor Adorno’s apparent dismissal of post-Holocaust poetry as "impossible" or "barbaric". His statement is reinterpreted as opening up the possibility that the awkward and embarrassing poetics of writers such as Harrison might be re-evaluated as committed responses to the worst horrors of twentieth-century history. Most of the existing critical work on Harrison focuses on his representation of class, which occludes his interest in other aspects of historiography. The poet’s predilection for establishing links between the atrocities perpetrated by the Nazis, the bombing of Hiroshima and Nagasaki, and the prospect of global annihilation is examined as a commitment to oppose the dangers of linguistic silence. Hence Harrison’s work can be read fruitfully within the growing field of Holocaust Studies: his texts enter into arguments about the ethics of representing traumatic incidents that still haunt the contemporary. Harrison’s status as a "non-victim" author of the events is stressed throughout. His writing of the Holocaust, allied bombings and atom bomb is mediated by his reception of the events through newsreels as a child, and his adoption and subversion, as an adult poet, of traditional poetic forms such as the elegy and sonnet. This book also discusses the ways in which Holocaust literature engages with a number of concepts challenged or altered by the historical events, such as love, mourning, memory, humanism, culture and barbarism, articulacy and silence.

Focusing on the way Jewish history -- particularly the Holocaust -- and tradition inform postwar Canadian and American Jewish literature, A House of Words offers innovative readings of the works of such influential writers as Saul Bellow, Leonard Cohen, Eli Mandel, Mordecai Richler, Chava Rosenfarb ...

Focusing on the way Jewish history -- particularly the Holocaust -- and tradition inform postwar Canadian and American Jewish literature, A House of Words offers innovative readings of the works of such influential writers as Saul Bellow, Leonard Cohen, Eli Mandel, Mordecai Richler, Chava Rosenfarb, Philip Roth, and Nathanael West. Norman Ravvin highlights the concerns that these disparate writers share as Jewish writers as well as places their work in the context of the broader traditions of multiculturalism, post-colonial writing, and critical theory.

Arguing that Jewish North American writing is too commonly discussed as part of the mainstream, neglecting the Jewish aspects of the works, Ravvin places the writing of Bellow, Richler, Cohen, West, Mandel, Roth, and Rosenfarb within the Jewish context that the works demand. Ravvin depicts a Jewish cultural landscape within which postwar writers contend with community and identity, continuity and loss, and highlights the way this particular landscape is entangled with broader literary and cultural traditions. He considers Bellow and West alongside apocalyptic narratives, discusses Cohen in relation to the counterculture, examines Mandel's postmodern view of history, and looks at autobiography and ethics in Roth and Rosenfarb.

At once scholarly and poetic, A House of Words will appeal to the general reader of Canadian, American, and Jewish literature and history, as well as to specialists in these fields.