Your search for: subjects:"Irony"

This book is a literary analysis of the language and style of Tacitus' Annals. The political context of first-second century AD Rome is also taken into consideration. In analysis of particular passages close attention is given to the structure of the Latin, which is fully translated. Issues relating ...

This book is a literary analysis of the language and style of Tacitus' Annals. The political context of first-second century AD Rome is also taken into consideration. In analysis of particular passages close attention is given to the structure of the Latin, which is fully translated. Issues relating to the study of narrative, Roman politics and theories of history are addressed in the course of the discussion.

This pathbreaking study integrates the histories of rhetoric, literacy, and literary aesthetics up to the time of Augustine, focusing on Western concepts of rhetoric as dissembling and of language as deceptive that Swearingen argues have received curiously prominent emphasis in Western aesthetics ...

This pathbreaking study integrates the histories of rhetoric, literacy, and literary aesthetics up to the time of Augustine, focusing on Western concepts of rhetoric as dissembling and of language as deceptive that Swearingen argues have received curiously prominent emphasis in Western aesthetics and language theory. Swearingen reverses the traditional focus on rhetoric as an oral agonistic genre and examines it instead as a paradigm for literate discourse. She proposes that rhetoric and literacy have in the West disseminated the interrelated notions that through learning rhetoric individuals can learn to manipulate language and others; that language is an unreliable, manipulable, and contingent vehicle of thought, meaning, and communication; and that literature is a body of pretty lies and beguiling fictions. In a bold concluding chapter Swearingen aligns her thesis concerning early Western literacy and rhetoric with contemporary critical and rhetorical theory; with feminist studies in language, psychology, and culture; and with studies of literacy in multi- and cross-cultural settings.

Putting aside questions of truth and falsehood, the old 'talk is cheap' maxim carries as much weight as ever. Indeed, perhaps more. For one need not be an expert in irony or sarcasm to realize that people don't necessarily mean what they say. Phrases such as 'Yeah, right' and 'I could care less' are ...

Putting aside questions of truth and falsehood, the old 'talk is cheap' maxim carries as much weight as ever. Indeed, perhaps more. For one need not be an expert in irony or sarcasm to realize that people don't necessarily mean what they say. Phrases such as 'Yeah, right' and 'I could care less' are so much a part of the way we speak - and the way we live - that we are more likely to notice when they are absent (for example, Forrest Gump). From our everyday dialogues and conversations ('Thanks a lot!') to the screenplays of our popular films (Pulp Fiction), what is said is frequently very different from what is meant. Talk is Cheap begins with this telling observation and proceeds to argue that such 'unplain speaking' is fundamentally embedded in the way we now talk. Author John Haiman traces this sea-change in our use of language to the emergence of a postmodern 'divided self' who is hyper-conscious that what he or she is saying has been said before; 'cheap talk' thus allows us to distance ourselves from a social role with which we are uncomfortable. Haiman goes on to examine the full range of these pervasive distancing mechanisms, from clichés and quotation marks to camp and parody. Also, and importantly, Haiman highlights several ways in which language is evolving (and has evolved) from non-linguistic behaviour. In other words, this study shows us how what we are saying is continually separating itself from how we say it. As provocative as it is timely, the book will be fascinating reading for students of linguistics, literature, communication, anthropology, philosophy, and popular culture.