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Popularizing the Nation examines the intersection of national identity and the popular press in nineteenth-century Germany. Central to Kirsten Belgum's study is the Gartenlaube, a magazine that first appeared in 1853 and became, by the 1870s, the most widely read magazine in Germany. In the midst of ...

Popularizing the Nation examines the intersection of national identity and the popular press in nineteenth-century Germany. Central to Kirsten Belgum's study is the Gartenlaube, a magazine that first appeared in 1853 and became, by the 1870s, the most widely read magazine in Germany. In the midst of the magazine's varied fare was a host of writings that touched on the themes of the German nation and national identity.

In countless articles on culture, politics, landscape, industry, history, and other topics, the Gartenlaube played an influential role in nineteenth-century Germany's larger effort to forge a national identity for itself. In fact, Belgum argues that the search for, and development of, national identity in Germany was inextricably linked to the writings of the Gartenlaube and other popular magazines. Such publications served both as a public repository of mythic memory for the nation and as a source of new national images for a self-consciously modern Germany.

In its careful attention to the issue of national identity formation during a crucial period of German history, Popularizing the Nation is an important contribution to modern German intellectual, political, and publishing history. But the book has a larger significance as well. Belgum's examination of the Gartenlaube's often contradictory images of the German nation -- tradition-bound and modernizing, liberal and fervently nationalistic, enlightened and sentimental -- provides crucial insights into the complex problems and processes of constructing national identity. Popularizing the Nation is a revelatory account of modern nationalism and its close relationship to mainstream journalism.

"This outstanding book has retrieved all the luminous qualities of its subject matter to produce an astonishing revelation of gleaming appearances on splendid display. It is unrivalled by any previous study."--Marcus Bullock, coeditor of "Walter Benjamin: Selected Writings 1913-26"

""Weimar Surfaces ...

"This outstanding book has retrieved all the luminous qualities of its subject matter to produce an astonishing revelation of gleaming appearances on splendid display. It is unrivalled by any previous study."--Marcus Bullock, coeditor of "Walter Benjamin: Selected Writings 1913-26"

""Weimar Surfaces "creates provocative new connections between the historical constellations that found a privileged expression in Weimar Berlin and the more contemporary debates on the legacies of modernism and modernity. A compelling study."--Sabine Hake, author of "The Cinema's Third Machine "

"Janet Ward's study of Weimar architecture and design is the most comprehensive and integrated study of the surface of Weimar experience yet written. . . . A first-rate and stimulating book."--Sander L. Gilman, coauthor of "Hysteria Beyond Freud"

In the two decades after World War II, Germans on both sides of the iron curtain fought vehemently over American cultural imports. Uta G. Poiger traces how westerns, jeans, jazz, rock 'n' roll, and stars like Marlon Brando or Elvis Presley reached adolescents in both Germanies, who eagerly adopted ...

In the two decades after World War II, Germans on both sides of the iron curtain fought vehemently over American cultural imports. Uta G. Poiger traces how westerns, jeans, jazz, rock 'n' roll, and stars like Marlon Brando or Elvis Presley reached adolescents in both Germanies, who eagerly adopted the new styles. Poiger reveals that East and West German authorities deployed gender and racial norms to contain Americanized youth cultures in their own territories and to carry on the ideological Cold War battle with each other. Poiger's lively account is based on an impressive array of sources, ranging from films, newspapers, and contemporary sociological studies, to German and U.S. archival materials.

"Jazz, Rock, and Rebels examines diverging responses to American culture in East and West Germany by linking these to changes in social science research, political cultures, state institutions, and international alliance systems. In the first two decades of the Cold War, consumer culture became away to delineate the boundaries between East and West. This pathbreaking study, the first comparative cultural history of the two Germanies, sheds new light on the legacy of Weimar and National Socialism, on gender and race relations in Europe, and on Americanization and the Cold War.