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The United States has run out of heroes. "Hero" refers to a national hero, a Universal American around whom we all would rally if called. The hero is the man - rarely the woman - who inspires children and adults, and reflects the finest qualities of the American people. He is recognized as an ...

The United States has run out of heroes. "Hero" refers to a national hero, a Universal American around whom we all would rally if called. The hero is the man - rarely the woman - who inspires children and adults, and reflects the finest qualities of the American people. He is recognized as an inspiration, seen as someone engendering our best qualities. It is not that the hero represents most if not all Americans; it is that most if not all Americans are happy to have him as their representative. This is the man, the role, gone from our lives, permanently. Edelstein gives a vivid description of heroes of America's past, and offers an explanation of the national appeal of such men as Billy the Kid, Babe Ruth, Franklin Delano Roosevelt, and Martin Luther King, Jr. He describes how many of the fields from which Americans once drew their heroes have disappeared, and how the structures of other fields that were once sources of heroes have been altered, thereby obstructing the creation of new heroes. Not that heroism is dead. To the contrary, many Americans are often found performing heroic acts: police officers and fire fighters, federal agents and everyday people are regularly commended for committing acts above and beyond the call of duty. But these heroic actions are usually noted only on a local level. To be an American hero is to be a national hero. This is accomplished by an act of an individual that demands and receives national attention. But that doesn't seem to happen anymore. It is difficult to recall the last ticker-tape parade for an individual American hero. Parades now celebrate groups: freed hostages, winning sports teams, returning service personnel. The book concludes with adiscussion on the ramifications of the disappearance of the American hero.

"The American Dream" is one of the most familiar and resonant phrases in our national lexicon, so familiar that we seldom pause to ask its origin, its history, or what it actually means. In this fascinating short history, Jim Cullen explores the meaning of the American Dream, or rather the several ...

"The American Dream" is one of the most familiar and resonant phrases in our national lexicon, so familiar that we seldom pause to ask its origin, its history, or what it actually means. In this fascinating short history, Jim Cullen explores the meaning of the American Dream, or rather the several American Dreams that have both reflected and shaped American identity from the Pilgrims to the present. Cullen notes that the United States, unlike most other nations, defines itself not on the facts of blood, religion, language, geography, or shared history, but on a set of ideals expressed in the Declaration of Independence and consolidated in the Constitution. At the core of these ideals lies the ambiguous concept of the American Dream, a concept that for better and worse has proven to be amazingly elastic and durable for hundreds of years and across racial, class, and other demographic lines. The version of the American Dream that dominates our own time--what Cullen calls "the Dream of the Coast"--is one of personal fulfillment, of fame and fortune all the more alluring if achieved without obvious effort, which finds its most insidious expression in the culture of Hollywood. For anyone seeking to understand a shifting but central idea in American history, The American Dream is an interpretive tour de force.