Women and the Social Gospel Novel

Journal article by Susan H. Lindley; Church History, Vol. 54, 1985

Journal Article Excerpt


Women and the Social Gospel Novel

SUSAN H. LINDLEY

American Social Gospel and the role of women in American religion
recently have emerged as significant concerns for American religious histori-
ans, after a period of relative neglect. In 1976 Ronald C. White, Jr. and C.
Howard Hopkins called for a fresh, more inclusive look at the Social Gospel,
pointing to women as among the "neglected reforms and reformers" in Social
Gospel study. 1 Scholarship on women and religion has exploded in the last
decade, focusing not only on important individuals and traditional religious
images of women, but also on women's own ideas and activities. This article is
presented with the hope that it not only may add to the study of the history of
women in American religion, but also may contribute to a new understanding
of the Social Gospel movement.

There is considerable scholarly debate on the exact nature and duration of
the Social Gospel movement. For the purpose of this paper, I have considered
the Social Gospel movement to extend from the 1870s through World War I,
although, of course, it had roots before and continuities after this period. The
concern of the Social Gospelers was to relate the Christian message to the
needs of their age, especially the problems of the emerging labor movement
and structures of American economic and political systems. Theologically, the
Social Gospel was allied closely to nineteenth-century liberalism. However, it
did not exclude evangelical roots, evident in such an unquestioned leader as
Rauschenbusch, and its proponents spanned a theological spectrum from
mild conservatism to Christian socialism. 2 Distinctive theological insights of
the Social Gospel, such as the conviction that the social nature of sin and
salvation is at least as important to understand as individual sin, reform, and
salvation, are clearest in the most articulate and theologically trained leaders

Ms. Lindley is associate professor of religion in Saint Olaf College, Northfield,
Minnesota.

____________________
1 The Social Gospel: Religion and Reform in Changing America (Philadelphia, 1976 ), pp.
119-126. White and Hopkins focus on the work of Frances Willard, as does Carolyn
DeSwarte Gifford, "For God and Home and Native Land: The W.C.T.U.'s Image of
Women in the Late 19th Century," in Women in New Worlds: Historical Perspectives on
the Wesleyan Tradition
, ed. Hilah F. Thomas and Rosemary Skinner (Ashville, 1981 ). In
the same volume, Mary Agnes Dougherty, "The Social Gospel According to Phoebe:
Methodist Deaconesses in the Metropolis, 1885-1918", explores another aspect of the role
of women in the Social Gospel. John Patrick McDowell, The Social Gospel in the South:
The Women's Home Mission Movement in the Methodist Episcopal Church, 1886-1939

(Baton Rouge, 1982 ), expands traditional views of the Social Gospel in terms of region as
well as gender.
2 See Robert T. Handy, ed., The Social Gospel in America, 1870-1920 (New York, 1966 ), pp.
5-7.

-56-

and perceived most easily in retrospect; yet they were implicit if not fully
self-conscious operating principles of other participants as well.

The Social Gospel novel is, first of all, particularly useful in exploring less
"professional" theological aspects of the movement, for it constituted a
significant form of popularization, one way in which the Social Gospel
penetrated to people in the pews. Second, the form of fiction allowed, even
impelled, authors to comment more broadly on the roles and images of
women as they attempted to portray "real life" situations. It was relatively
easy for Social Gospel theologians to ignore women as women in their
sermons and essays; it was more difficult (though by no means impossible) to
construct a story with no female characters. Third, the novel was a form of
literature more socially acceptable for women themselves to write at the time,
thus providing a broader female as well as male view of women. Finally, the
novels were intentionally didactic: their authors used them to urge readers
toward a particular set of values and course of action, hoping to touch their
affections as well as their intellect. Thus we find in the Social Gospel novel a
sense of how authors and readers interpreted the Social Gospel message.

But what is a Social Gospel novel -- beyond the widely familiar example,
In His Steps?3 There were many fictional treatments in the late nineteenth
and early twentieth centuries of urbanization and industrialization in
America, and rare was the novel at that time which did not touch on religion.
As a working classification, I have adopted three criteria to identify the Social
Gospel ...





















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