By Daylanne K. English
English's interdisciplinary approach brings together the work of those canonical writers with relatively neglected literary, social scientific, and visual texts. She examines antilynching plays by Angelina Weld Grimk as well as the provocative writings of white female eugenics field workers. English also analyzes The Crisis magazine as a family album filtering uplift through eugenics by means of photographic documentation of an ever-improving black race.
English suggests that current scholarship often misreads early-twentieth-century visual, literary, and political culture by applying contemporary social and moral standards to the past. Du Bois, she argues, was actually more of a eugenicist than Eliot. Through such reconfiguration of the modern period, English creates an allegory for the American present: because eugenics was, in its time, widely accepted as a reasonable, progressive ideology, we need to consider the long-term implications of contemporary genetic engineering, fertility enhancement and control, and legislation promoting or discouraging family growth.
- Chapel Hill, NC
- Harlem Renaissance
- Eugenics In Literature
- American Literature--20th Century--History And Criticism
- American Literature--African American Authors--History And Criticism
- American Literature--White Authors--History And Criticism
- African Americans--Intellectual Life--20th Century
- Modernism (Literature)--United States