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Edvard Munch and the Physiology of Symbolism
By Shelley Wood Cordulack
139 pages
- Contributors:
- Publisher:
- Fairleigh Dickinson University Press
- Place of publication:
- Madison, NJ
- Publication year:
- 2002
- Subjects:
Synopsis
Nineteenth-century physiology connected the body to the human psyche. This book explores how and why Munch exploited various aspects of physiology in his art.Related books and articles at Questia
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Munch, Edvard
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Table of contents
The first page of every section is available free to non-members – click a section heading to start reading now!
- Edvard Munch and the Physiology of Symbolism 1
- Title Page 3
- Contents 5
- List of Illustrations 7
- Preface 9
- Introduction 11
- Edvard Munch and the Physiology of Symbolism 13
- 1: The Physiological Context for Munch's Early Artistic Maturation in France and Germany, 1889–1895 15
- 2: Munch's Biography in the Context of Physiology 21
- 3: The Physiological Basis of the Frieze of Life 28
- 4: The Physiology of Artistic Creation 39
- 5: Psycho-Physiology 52
- 6: The Embryology of the Soul 61
- 7: Love 78
- 8: The Physiology of Inherited Disease, Death, and Immortality 90
- 9: Metabolism and Munch's Ideas on the Meaning of Art and Life 97
- Edvard Munch and the Physiology of Symbolism 1
- Title Page 3
- Contents 5
- List of Illustrations 7
- Preface 9
- Introduction 11
- Edvard Munch and the Physiology of Symbolism 13
- 1: The Physiological Context for Munch's Early Artistic Maturation in France and Germany, 1889–1895 15
- 2: Munch's Biography in the Context of Physiology 21
- 3: The Physiological Basis of the Frieze of Life 28
- 4: The Physiology of Artistic Creation 39
- 5: Psycho-Physiology 52
- 6: The Embryology of the Soul 61
- 7: Love 78
- 8: The Physiology of Inherited Disease, Death, and Immortality 90
- 9: Metabolism and Munch's Ideas on the Meaning of Art and Life 97
- Notes 107
- Bibliography 125
- Index 134