By Kastner, Jeffrey
Artforum International , Vol. 43, No. 9
Art Exhibitions--International Aspects
de Corral, Maria--Appointments, resignations and dismissals
Martinez, Rosa--Appointments, resignations and dismissals
Venice Biennale (Arts exhibition)--2005 AD
Venice Biennale (Arts exhibition)--Officials and employees
Venice Biennale (Arts exhibition)--International aspects
FAMILIARITY, IT IS SAID, BREEDS CONTEMPT--and the recent proliferation of biennials has indeed made the large-scale international exhibition an object of, if not scorn, at least skepticism. Yet even for those who question the utility of the biennial merry-go-round (2005 will see a dozenodd such shows, from Moscow, Sharjah, and Prague to Gothenburg, Lyon, Tirana, and Istanbul) one always stands apart. The Venice Biennale is inevitably a subject of fascination, not only for what its content says about the state of contemporary art but also for what its form signals about the condition of the global industry it spawned.
This summer's fifty-first installment, opening to the public June 12, follows a 2003 version perhaps better remembered for the heat (and humidity) produced by unusually swampy weather than for any light generated by director Francesco Bonami's curatorial strategy. Conceived as a visitor-empowering gesture whose sprawling, multi-exhibit structure would drive a stake into the hegemonic heart of the "Grand Show," Bonami's "Dreams and Conflicts: The Dictatorship of the Viewer" was widely judged a well-intentioned disappointment, an experiment in radical decentralization that left many feeling rudderless amid its welter of fragmentary methodologies and dissonant voices.
While Bonami's particular approach to reform may have failed to convince, organizers say they are persevering with attempts to reconceive the 110-year-old event, starting with the welcome choice, for the first time, of two female directors--Spaniards Maria de Corral and Rosa Martinez. Their centerpiece project involves a pair of "complementary shows" with more than ninety artists, one looking to the recent past and the other to the "immediate future."
A former director of Madrid's Reina Sofia, de Corral is organizing "The Experience of Art," which will populate the Giardini with forty-one artists, including past (literally) masters like Francis Bacon, Philip Guston, and Agnes Martin, live wires such as Bruce Nauman and Dan Graham, and intriguing younger figures like Tania Bruguera, Tacita Dean, and Leandro Erlich. …