By Vary, Adam B.
The Advocate (The national gay & lesbian newsmagazine)
It's a disturbingly plausible nightmare scenario: In the big-budget studio thriller V for Vendetta, a totalitarian state, driven by fundamentalist Christian ideologues, rises in England under the specter of massive terrorist attacks. The government exploits the public's collective fear as an excuse to persecute and imprison Muslims, political dissidents, and gays and lesbians. What's more, the film's hero is a self-styled terrorist, a mysterious masked man named V (Hugo Weaving) with an affection for Guy Fawkes--the infamous Englishman who tried to blow up the houses of Parliament in 1605--whom we see through the eyes of Evey (Natalie Portman), an orphaned naif whom V rescues from rape in the film's opening scene.
As if those weren't enough timely hot potatoes to juggle, what may really surprise gay audiences--even those familiar with Alan Moore's 1980s comic book series later compiled into a 1989 graphic novel, on which the film is based--is how prominently queer characters figure in the film's story. In fact, when director James McTeigue and screenwriters Larry and Andy Wachowski (the Matrix trilogy) were updating the graphic novel's anti-Thatcherite politics for the screen, they changed one prominent character from being Evey's straight lover to being the closeted gay host of a popular talk show (played, natch, by gay Renaissance man Stephen Fry) who hides Evey after the government suspects she's in collusion with V.
"I think in some ways the graphic novel was a victim of its time in how to express homosexuality," explains McTeigue, the Wachowski's first assistant director on the Matrix movies, now making his debut in the big chair with Vendetta. "It's a larger comment on what actually goes on in the entertainment business as it is. …