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With his pimento-shaped face, reminiscent of an overstuffed hamster, Francis Bacon appears in photos taken by his contemporaries and in a famous portrait by his friend Lucian Freud--stolen in 1988 never to be seen again-as one of the most recognisable artists of the 20th century. Doyen of Soho drinking clubs, he led a reprobate life that has been well documented, from an Anglo-Irish childhood, with a repressive father who threw him out for showing an overdeveloped penchant for stable grooms and for his mother's underwear, to his sadomasochistic love affairs with numerous men of the demi-monde.

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The new Bacon retrospective at Tate Britain, the first since 1985, allows for a reassessment of his work in an age when shock and violence are common fare, in the art world and in daily life. An …