Master Faker Is Now the Real Deal in the Classroom; John Myatt Is an Artist So Talented He Was Once Jailed for His Sins. Graham Young Meets the Man Who Was Involved in the Biggest Art Fraud of the 20th Century, but Is Now Helping Others to Paint

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Byline: Graham Young

If it's true that you should 'never judge a book by its cover', then how should you react to a charming man with a paint brush? Midlands painter John Myatt looks at least a decade younger than his 67 years and is one of the most affable people I've ever met.

Judging by his Provenance exhibition at the Waterhall next to Birmingham Museum & Art Gallery, where we meet ahead of a Nintendo art class that John will host himself, he's one of the most talented, too.

From Monet to Vermeer, Matisse, Velasquez, Giacometti and Nicholson, John's capacity for embracing and working right across internationallyrenowned and sometimes centuries-old styles is breathtaking.

Since I first met both actors in their own late middle age, I can vouchsafe for the fact that his magnetic physical presence, look and gentle demeanour floats back and forth between Ian McKellen and Clint Eastwood.

So what's not to like about this natural born charmer? Well the Sky Arts presenter was once sentenced to 12 months in Brixton prison for passing off 200 of his own paintings as someone else's originals and people lost money as a result.

Some may yet do so, since 120 are still missing. Are we supposed to hate even the most talented of people who've tasted 'porridge' through their own stupidity? Or take the sympathetic view of The Lord's Prayer, ready to 'forgive those who trespass against us'.

Luckily for Stoke-born John, the policeman who nailed him bang to rights took the latter view.

And the look in the artist's clear eyes tells me he will be forever grateful.

Funnily enough, the Waterhall is next to the building where his adventure began.

When John was living in Lichfield, he says he would travel to Birmingham every weekend to study the paintings on display by the pre-Raphaelites and artists like Pissarro. It fuelled a passion which turned into quite a skill. Undetectable fakery.

From going to art school in Stafford in 1962, John had begun teaching art in Wilnecote, Tamworth from 1968.

"In those days studying art, you would get technical instruction which, I think, is a good thing," he says.

"I've always been interested in how you do things. I would take a clock to bits to see what made it tick.

It was a fascination." Almost two decades later in 1986, when he was struggling to raise his two children on an art teacher's wage, Myatt placed an advert in Private Eye offering genuine "19th and 20th century fakes for PS200".

They were not replicas but works that the likes of Monet or Picasso might have painted "if they had had time".

Claiming to be a nuclear physicist, impressed customer John Drewe commissioned Myatt to produce a number of paintings, which he later had valued at Christie's in London for PS25,000.

This, admits Myatt, "was the moment the legitimate business stopped and the crime began" as the pair went into business together, selling off works through leading auction houses in London and New York. Drewe kept most of the PS1.8 million proceeds for himself, but they were both convicted of fraud and Myatt was sentenced to 12 months in Brixton prison.

Drewe served two years and earlier this year was jailed for another eight years after a court case in which Judge Alasdair Darroch told the conman: "In my view you are about the most dishonest and devious person I have ever dealt with."

Today, John Myatt is determined to keep on the straight and narrow. His legitimate fakes are signed (for example) like Monet but are clearly marked "John Myatt: Genuine Fakes" on the back.

""Even people lucky enough to own a PS2 million original typically often can't display it on their walls, for insurance reasons," says John.

"So it seems such a shame to have something so beautiful hidden away in the bank."

While the day he was sent down was far worse than coming back out in June, 1999, it's equally true to say that John was fearful of where freedom might take him. …