THE J. Paul Getty Museum in Malibu, Calif., has long been considered the best-endowed museum in the world; the Metropolitan Museum of Art in New York, the finest in this country. In a bicoastal exchange, the two titans have collaborated on two beautiful drawing exhibitions simultaneously on view at the New York and Malibu museums.
The first master drawing exhibition the Getty has ever hosted from another museum, "Drawings by Giovanni Battista Tiepolo, from the Metropolitan Museum in New York," features 25 sheets from the Met's impressive trove of this 18th-century Italian painter and draftsman.
In a wonderful artistic quid pro quo, the Met is concurrently hosting a sample of over 100 drawings selected from the Getty's impressive holdings of 15th- to 19th-century drawings titled, "Drawings from the J. Paul Getty Museum."
Guided by the fine eye of George Goldner, Getty's curator of drawings, the show is on view at the Met through Aug. 8, and then travels to the Royal Academy in London, where it will be shown Oct. 29 to Jan. 23, 1994.
In the last 10 years, the Getty has built a 400-piece Old Master drawing collection so strong that there has seemed no need for the Getty to host touring exhibitions of other drawings.
In an interview from his part-time home in New York, Dr. Goldner noted, "We'd been thinking about the Getty drawings traveling to New York for some time.
"The purpose of the show was to present New York and Europe with what we've been able to accomplish to date. In the process, the idea of an exchange developed, and it worked out very fluidly, very comfortably," he says.
Tiepolo was a logical choice for such a collaboration as the Met's holdings of drawings by this master are among the most comprehensive in the United States. Active from roughly 1700 to 1770, Tiepolo is regarded by art historians as one of the finest Italian painters and draftsmen of the 18th century.
Born in Venice, like the masters Giovanni Bellini and Titian, Tiepolo was a brilliant colorist and inherited the Venetian sensitivity to light and chromatic properties inspired by the fabled water and natural light of his native city.
What is especially remarkable is that Tiepolo achieved a sun-drenched luminosity and suggested subtle hue variations in drawings that are for the most part executed in only red or black chalk on blue paper or pen and ink highlighted with deftly applied brown wash.