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Beginning of article

'I personally would like to keep the painting in a state of 'shunning statement,' " Jasper Johns has said of his work, "so that the experience of it is variable."

In "Jasper Johns: A Retrospective" at the Museum of Modern Art, this giant of 20th-century art has achieved his goal of willed ambiguity. The 225 paintings, works on paper, and sculptures from 1954 to 1995 guard their secrets like a combination lock awaiting a safe-cracker.

An ideal review of his now-you-see-it-now-you-don't art would be a blank page wherein viewers record their own impressions. That's because Johns tweaks the mind to short-circuit habits of perception. He forces each viewer to encounter …