Even among an unusually self-absorbed generation of American singers, Counting Crows' Adam Duritz operates at a peculiarly strident pitch of self-pity, investing the most innocuous of lyrics with excessive emotional drama. A classic solipsistic soul-barer, he just won't shut up about himself: there are more first-person-singulars in the lyric booklet to this album than even Morrissey would countenance. And when he runs out of words, there's still no respite, Duritz apparently regarding every instrumental coda as an opportunity to wail wordlessly along, in some misguided attempt to persuade us of the depth of his feelings.
There are a few signs that he realises how …