Article excerpt

THIS SOLD-OUT event in Hoxton was a hybrid of concert, seminar and technical demonstration of "Turntablism", the use of the record player as an instrument in its own right. We were treated to insights into several different approaches: live performances by Janek Schaefer, Philip Jeck and scratch DJs Harry Love and Renegade, plus a film clip of the scratch virtuoso Q-Bert (from the documentary Battlesounds), with an audience discussion to round off the night.

Love gave a modest but fluent demonstration of his turntablist talents while we watched his hands blurring on a big video screen. Like ice-skating, scratching has become a competitive sport, full of codes and arcane terminology, and Love's crew, the Scratch Perverts, are European champions.

Love demonstrated copy-catting, beat juggling, the drill, the crab and the combination scratch, carefully name-checking the DJs credited with each innovation. Renegade and Love scratched with dexterity and bravado but their short set was more about process than end result - this was a lecture theatre, not a club. Schaefer works methodically, building up a soundscape from a small selection of vinyl. His "triphonic" turntable has three playing arms, so he can use one LP as three sound sources: music runs backwards, forwards, slowed down, speeded up and processed into unrecognisable abstraction. The audience, thankfully, were prepared to learn rather than confirm their prejudices. …