DONALD JAMES wrote prolifically, under a variety of pseudonyms, before making a breakthrough with Monstrum: a tale of serial killing and social disintegration set in post-millennial Moscow. His sequel, The Fortune Teller, again features his less-than-astute detective Constantin Vadim, who conducts his inquiries in a vodka-induced haze and broods darkly on the soul of Mother Russia.
It is 2017, centenary of the Revolution, and Vadim is home in the Arctic port of Murmansk, a lawless place in which Sin City, an outcast community perched on the frozen waters of Lake Polkava, is the epicentre of corruption. When Constantin's wife Natalya, a doctor, fails to return from an …