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Nothing proves love is blind as much as Michael Moore's faith in government, writes Chris Berg.

It's probably fair to say Michael Moore pioneered the modern agit-prop feature documentary. Since his (actually rather touching) Roger and Me, which covered the decline of his home town Flint, Michigan as General Motors closed the local plant, the independent documentary has experienced a resurgance for polemicists on all sides of politics.

But while the medium he popularised is getting more influential, the quality of Moore's work is declining. His second film, 2002's Bowlingfor Columbinewas at least honest - while superficially an anti-gun polemic, he actually ended the film …