Scissor Sisters' Jake Shears used to watch Jane Fondas workout video when he was 3. Now he gets to ask his idol about life, love, and a Barbarella sequel.
Jake shears: You were nominated for a Tony for your performance in Moisés Kaufman's 33 Variations, which just transferred to L. A. How's itgoing?
JANE FONDA: I'm glad we're almost through. I don't think I'll do another one again. It just takes over your life. I wake up and I feel like a truck ran over me, and then I have to do the play again.
33 Variations is your first show in a long time.
In 46 years. I did four plays in the early '60s. My father loved live theater, and to the extent that he ever talked about anything with joy, it was theater. And here I had done four plays, and none of them were enjoyable or meant anything to me. So as I'm in my dotage, I thought, I don'twant to die without understanding what my father saw in live theater, whatitwas thatit gave him. This script came along, and it was something that touched my heart very much. And, sure enough, I loved the experience. I love getting the feedback from the audience. I love the community that's created because it's unlike movies. You can do a movie with somebody and never meet them. [Laughs] So I'm glad I did it. It was a success. And I don't want to do it again because there are too many things in life I like to do.
Like 17 million other kids, my mom had your workout video when I was a kid. We had lots of movies, but my favorite tape to play was your workout.
Because you did it with your mom?
No, without her even there. I would just want to sit there and watch itwhen I was 3.
And watch it?
I just liked to watch the pretty ladies in their fun leotards dance around to the music.
That is hysterical.
As you know, I was a massive fan of yours growing up. I was actos child. Then, soon after you did Old Gringo you left the movies for a while. Do you remember the moment when you said, "I want to be in a movie again"?
I knew I wanted to leave around 1988 because I was so unhappy. I don't know about you, but I find it very, very hard to be creative when I'm deeply unhappy as a human being. As an actor, the only instrument you have is yourself. You don't have a violin; you don't have a canvas and a paintbrush. You have your own psyche, your own body. And I just felt like I wanted to die. So I decided to just leave. And then I met Ted Turner. On our second date, he said, "If this is going to work, you're not going tobe able to have a career." And then he said, "Of course, you're not going to give up your career until you've won an Oscar." I said, "Ted, I've got two." He didn't know. But I wanted to see if I could have a successful relationship if I wasn't working. I thought maybe that was what had gone wrong with the others - that I was away so much. And then Ted and I split up, and I began to write my memoirs. Writing my life changed me because I realized that there was a there there. I always thought that there wasn't, and that I was only what the man I was with wanted me to be. It doesn't matter how famous one is. If you feel like crap - if you feel that you aren't anybody because that's the way you've been brought up- then that's the way it is.
And then in 2000 1 was asked to be a presenter at the Oscars, and I said to my best friend who made the call, "But I'm not in the business anymore. Why would I do that?" And she said, "You're going to do it, and Vera Wang is going to make you a dress. And Sally Hershberger is going to cut your hair." Well, it turned out that that was my second hair epiphany, the first being Klute [Fonda made headlines after attending the 1972 Oscar ceremony in the same heavily fringed shag she rocked in Klute]. …