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Reading the Harlem Renaissance into Public Policy: Lessons from the Past to the Present
Academic journal article from Afro-Americans in New York Life and History, Vol. 36, No. 2
Beginning of article
Harlem. 1917. Music bursting from the seams, the wondrous sounds of Cab Calloway's "scat" singing, and the majestic melody of Duke Ellington and his Cotton Club orchestra. The cool crisp air is almost perfectly aligned to the tunes of the jazz that captivates the night air.
Lights, camera, action-The "Queen of Happiness," Florence Mills takes center stage at the Alhambra Theater on Seventh Avenue for her performance in the musical Blackbirds while Anita Bush's, The Lafayette Players, the first African American acting company, prepares its 300 performers for the stage.
At a small outdoor café, straddled alongside broad sidewalks and newly constructed homes, amidst the …
