Biomusicology: Neurophysiological, Neuropsychological, and Evolutionary Perspectives on the Origins and Purposes of Music

Synopsis

"Since the 1960s, Swedish musicologist Nils Wallin has been exploring man's biological inheritance and its relationship to music. This book, the culmination of these many years of investigation, offers a musicological interpretation of recent research in neurophysiology and paleobiology. A model of music as a natural system which serves as a foundation for the understanding of our musical mind, its capacity, and its phylogenetic roots is proposed. And a unified bio-socio-cultural field theory of music is presented. It is here argued that music "creates" structures which develop and grow in a manner not unlike the processes controlling the growth of organisms. Thus, music as a system is conditioned by biological microsystems, as well as superior macrosystems of a more complex nature, such as the flow of consciousness and social, political, and economic systems: a natural synergetic system. Wallin's discourse encompasses: 1) the musical consequences of cerebral functional asymmetry; 2) the hierarchic and selective organization of perceptual-cognitive auditory processes; 3) reticular-limbic responses to musical stimuli interpreted as synapse-modifying mechanisms for long-term motivation and learning, as well as for phylogenetical "learning"; 4) the question of remnants or retentions with roots in the sound-gestures of other vertebrates of a higher order (and not solely the non-human primates) being active in the innermost structure of music; 5) vocalization techniques, e.g., the "kolning" technique of the late Paleolithic herding culture of Europe, as paleobiological retention; 6) the epistemological perspective of models of life-processes as discussed in recent scientific research." Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Additional information

Contributors:
Publisher: Place of publication:
  • Stuyvesant, NY
Publication year:
  • 1991