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The Lost Museum: The Nazi Conspiracy to Steal the World's Greatest Works of Art
By Hector Feliciano
336 pages
- Contributors:
- Publisher:
- Basic Books
- Place of publication:
- NewYork
- Publication year:
- 1997
- Subjects:
Synopsis
Bava Metziah Part IRelated books and articles at Questia
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- Academic journal articles
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Works of Art in Italy: Losses and Survivals in the War
Not Cited; Committee on the Preservation and Restitution of Works of Art, Archives and Other Material in Enemy Hands; Great Britain, War Office. H.M. Stationery Off., 1945
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Not Cited; Committee on the Preservation and Restitution of Works of Art, Archives and Other Material in Enemy Hands; Great Britain, War Office. H.M. Stationery Off., 1945
Salt Mines and Castles: The Discovery and Restitution of Looted European Art
Thomas Carr Howe Jr.. The Bobbs-Merrill Company, 1946
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Thomas Carr Howe Jr.. The Bobbs-Merrill Company, 1946
Defending National Treasures: French Art and Heritage under Vichy
Elizabeth Campbell Karlsgodt. Stanford University Press, 2011
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Elizabeth Campbell Karlsgodt. Stanford University Press, 2011
After the Ruins: Restoring the Countryside of Northern France after the Great War
Hugh Clout. University of Exeter Press, 1996
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Hugh Clout. University of Exeter Press, 1996
Table of contents
The first page of every section is available free to non-members – click a section heading to start reading now!
- Title Page i
- Contents iii
- Acknowledgments v
- Introduction 3
- Part I - A Certain Love of Art 11
- I - Vermeer's Astronomer, or Hitler's Blind Spot 13
- 2 - The Kümmel Report, or the Nazis' Reply to Napoleon 24
- 3 - Hermann Goering, "Friend of the Arts" 31
- Part II - Anatomy of a Pillage 41
- 4 - The Exemplary Looting of the Rothschild Collections 43
- 5 - The Paul Rosenberg Gallery: Modern and "Degenerate" Art for Sale 52
- 6 - The Bernheim-Jeune Collection, or the Burning of the Jas De Bouffan 75
- 7 - David David-Weill, or the Patron Stripped Bare 86
- 8 - The Schloss Collection, or Dutch Painters for Hitler 95
- Part III - Art for Sale 103
- 9 - Visitors to the Jeu De Paume 105
- Title Page i
- Contents iii
- Acknowledgments v
- Introduction 3
- Part I - A Certain Love of Art 11
- I - Vermeer's Astronomer, or Hitler's Blind Spot 13
- 2 - The Kümmel Report, or the Nazis' Reply to Napoleon 24
- 3 - Hermann Goering, "Friend of the Arts" 31
- Part II - Anatomy of a Pillage 41
- 4 - The Exemplary Looting of the Rothschild Collections 43
- 5 - The Paul Rosenberg Gallery: Modern and "Degenerate" Art for Sale 52
- 6 - The Bernheim-Jeune Collection, or the Burning of the Jas De Bouffan 75
- 7 - David David-Weill, or the Patron Stripped Bare 86
- 8 - The Schloss Collection, or Dutch Painters for Hitler 95
- Part III - Art for Sale 103
- 9 - Visitors to the Jeu De Paume 105
- 10 - Business as Usual: the Paris Art Market During the War 122
- II - Switzerland: the Importance. of Being Neutral 155
- Part IV - Revenants 163
- 12 - The Found and the Lost 165
- 13 - A Short Swiss Epilogue: Purchased Skeletons in the Kunstkammern 196
- 14 - Something New on the Eastern Front 212
- 15 - The Purgatory of the Mnrs 219
- Appendix A - The Schenker Papers 245
- Appendix B - An Interview with Alain Vernay 254
- Notes 259
- Index 268