Anthropology of Art

An introduction to the cross-cultural study of art from an anthropological perspective, this book is about the human condition in all its diversity. It explores the question of whether there is a correlation between the level of complexity of society and the nature of art.

Alfred Gell puts forward a new anthropological theory of visual art, seen as a form of instrumental action: the making of things as a means of influencing the thoughts and actions of others. He argues that existing anthropological and aesthetic theories take an overwhelmingly passive point of view, and questions the criteria that accord art status only to a certain class of objects and not to others. The anthropology of art is here reformulated as the anthropology of a category of action: Gell shows how art objects embody complex intentionalities and mediate social agency. He explores the psychology of patterns and perceptions, art and personhood, the control of knowledge, and the interpretation of meaning, drawing upon a diversity of artistic traditions--European, Indian, Polynesian, Melanesian, and Australian. Art and Agency was completed just before Alfred Gell's death at the age of 51 in January 1997. It embodies the intellectual bravura, lively wit, vigour, and erudition for which he was admired, and will stand as an enduring testament to one of the most gifted anthropologists of his generation.

Comparison has long been the backbone of the discipline of anthropology. But recent developments in anthropology, including critical self-reflection and new case studies sited in a globalized world, have pushed comparative work aside. For the most part, comparison as theory and method has been a casualty of the critique of 'grand theory' and of a growing mistrust of objectivist, hard-science methodology in the social sciences.Today it is time for anthropology to resume its central task of exploring humankind through comparison, using its newfound critical self-awareness under changing global conditions. In Anthropology By Comparision , an international group of prominent anthropologists re-visits, re-theorizes and re-invigorates comparison as a legitimate and fruitful enterprise. The authors explore the value of anthropological comparison and encourage an international dialogue about comparative research. While rejecting older, universalist comparative methods, these scholars take a fresh look at various subaltern and neglected approaches to comparison from their own national traditions. They then present new approaches that are especially relevant to the globalized world of the twenty-first century.Every student and practitioner of anthropology and the social sciences will find this thought-provoking volume essential reading. Anthropology, by Comparison is a call to creative reflection on the past and productive action in the present, a challenge to anthropologists to revitalize their unique contribution to human understanding. Anthropology, by Comparison is an indispensable overview of anthropology's roots - and its future - with regard to the comparative study of humankind.

The anthropology of art is currently at a crossroads. Although well versed in the meaning of art in small-scale tribal societies, anthropologists are still wrestling with the question of how to interpret art in a complex, post-colonial environment. Alfred Gell recently confronted this problem in his posthumous book Art and Agency. The central thesis of his study was that art objects could be seen, not as bearers of meaning or aesthetic value, but as forms mediating social action. At a stroke, Gell provocatively dismissed many longstanding but tired questions of definition and issues of aesthetic value. His book proposed a novel perspective on the roles of art in political practice and made fresh links between analyses of style, tradition and society.Offering a new overview of the anthropology of art, this book begins where Gell left off. Presenting wide-ranging critiques of the limits of aesthetic interpretation, the workings of objects in practice, the relations between meaning and efficacy and the politics of postcolonial art, its distinguished contributors both elaborate on and dissent from the controversies of Gell's important text. Subjects covered include music and the internet as well as ethnographic traditions and contemporary indigenous art. Geographically its case studies range from India to Oceania to North America and Europe.

Material culture has finally earned a central place within anthropology. Emerging from the pioneering work done at University College London, this reader brings together for the first time seminal articles that have helped shape the anthropological study of material culture. With topics ranging from the anthropology of art to architecture, landscape studies, archaeology, consumption studies and heritage management, this key text reflects the breadth of material culture studies today. The authors, who discuss field sites as distant as Vanuatu, New Ireland, Trinidad and Soviet Russia, show how material culture provides a new lens for viewing the world around us and effectively bridges the gap between theory and data. Providing the first-ever synthesis of these ground-breaking essays in an easily accessible volume, this book will serve as a comprehensive introduction to the subject and a valuable reference guide for anyone interested in material culture, anthropology, art and museum studies.

The last few decades have seen rapid advances of anthropological knowledge on a wide variety of fronts. The companion Encyclopedia of Anthropology provides a comprehensive survey of contemporary thinking in biological, social and cultural anthropology. In bringing these three fields together, the Companion establishes their interconnections and points the way for the future development of anthropological understanding.