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Folk Art

folk art, the art works of a culturally homogeneous people produced by artists without formal training. The forms of such works are generally developed into a tradition that is either cut off from or tenuously connected to the contemporary cultural mainstream. Folk art often involves craft processes, e.g., in America, quilting and sculpture of ships' figureheads, cigar-store figures, and carousel animals. Paintings in the tradition of primitivism also reflect the folk idiom. Folk art is generally nationalistic in character and expresses the values and aspirations of a culturally united group. Much folk art possesses a rough-hewn quality frequently admired and imitated by sophisticated artists. In works of the American regionalist school of the 20th cent., folk and mainstream traditions merged to form a hybrid modern expression. Of several museums devoted to the collection and exhibition of folk art, the best known is probably the American Folk Art Museum in New York City.



See H. Cahill, American Folk Art (1932, repr. 1970); A. Earnest, Folk Art in America (1984); H. T. Bossert, Folk Art of Asia, Africa, Australia, and the Americas (1990).

The Columbia Encyclopedia, 6th ed. Copyright© 2012, The Columbia University Press.

Selected full-text books and articles on this topic at Questia

Critical Issues in American Art: A Book of Readings
Mary Ann Calo. Westview Press, 1998
Librarian’s tip: Chap. 7 "American Folk Art: Questions and Quandaries"
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Pennsylvania Dutch: Folk Spirituality
Richard E. Wentz. Paulist Press, 1993
Librarian’s tip: Chap. V "Images in Arts and Crafts"
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Pennsylvania Dutch Stuff, a Guide to Country Antiques
Earl F. Robacker. University of Pennsylvania Press, 1944
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The Temptation: Edgar Tolson and the Genesis of Twentieth-Century Folk Art
Julia S. Ardery. University of North Carolina Press, 1998
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Passionate Visions of the American South: Self-Taught Artists from 1940 to the Present
Alice Rae Yelen. University Press of Mississsippi, 1993
Librarian’s tip: "Folk Art and the American South" begins on p. 11, "The Art of the Self-Taught/The Art of Our Time" begins on p. 21, and "Artists, Folk and Trained: An African-American Perspective" begins on p. 29
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The Folk Arts of Japan
Hugo Munsterberg. C.E. Tuttle Co., 1958
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The Rest on the Flight into Egypt: A Motif in Scandanavian Folk Art
Bringeus, Nils-Arvid. Folklore, Vol. 114, No. 3, December 2003
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Encyclopedia of American Folk Art
Gerard C.Wertkin; Lee Kogan. Routledge, 2004
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Art as Culture: An Introduction to the Anthropology of Art
Evelyn Payne Hatcher. Bergin & Garvey, 1999 (2nd edition)
Librarian’s tip: Chap. 1 "Contexts and Comparisons: The Anthropological Approach" and Chap. 7 "When and Whence? The Time Dimension"
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Informant Disavowal and the Interpretation of Storytelling Revival
Heywood, Simon. Folklore, Vol. 115, No. 1, April 2004
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