Landscape Painting - portrayal of scenes found in the natural world; these scenes are treated as the subject of the work of art rather than as an element in another kind of painting.
Early Landscapes In the West, the concept of landscape grew very slowly. Nature was traditionally viewed as consisting of isolated objects long before it was appreciated as scene or environment. As a result landscape painting as an independent art was a late development in the West. Many scenes, from the Hellenistic pastoral paintings of antiquity to the religious works of the 16th cent. a.d., contained expansive landscape backgrounds, but they were usually subordinated within a narrative context. The Renaissance and the Sixteenth Century In Renaissance Italy the study of
perspective gave rise to a careful rendering of scenery according to conventional formulas.
Giorgione and the Venetian painters excelled at pastoral vistas that recalled scenes from classical literature. Flemish works enhanced by meticulous landscape detail became popular in Italy and encouraged
Patinir and others to cater to this taste.
Altdorfer, the Danube painter of the early 16th cent., created some of the first works devoted entirely to landscape. During and after the Reformation the use of religious subject matter was restricted and numerous artists in the north became specialists in the landscape genre at which, when painting backgrounds of religious works, they had become proficient. These artists, among whom Pieter
Bruegel the elder was most notable, were devoted to fantastic scenes painted according to established convention in tones of brown for the foreground, green for the middle ground, and blue for the background panorama. In Rome, Dutch artists, led by
Coninxloo, initiated the concept of the ideal landscape. The Seventeenth and Eighteenth Centuries Claude Lorrain was supreme master of this genre. His serene pastoral works and the heroic compositions of
Poussin contrasted with the concurrent Dutch tendency toward realism. The great 17th-century Dutch landscape masters from van
Goyen to
Ruisdael,
Hobbema, and
Rembrandt transformed into paint what they saw in the Dutch countryside (see
Dutch art). The Rococo saw a revival of ideal pastoral scenes in the works of
Watteau and
Gainsborough. The 18th-century Englishman Thomas
Girtin was an important influence on future landscape painting. The Nineteenth and Twentieth Centuries England produced the major late 19th-century landscape masters: the visionary
Turner and the poetic
Constable. Constable, who greatly influenced the French Romantics, also served as an important inspiration to the
Barbizon school in France, whose members returned to the serene pastoral mood. In Germany, C. D.
Friedrich sustained the poetic tradition of landscape, as did the luminists of the American
Hudson River school. Turner's exploration of the atmospheric effects of light interested
Monet, whose
plein-air works, forming the basis of
impressionism, elevated landscape to the highest position in artists' esteem that it had yet held. Landscape also became a principal source material of
postimpressionism. The exponents of
surrealism revealed the fearful power of imaginary landscape. In addition, many of the 20th-century artists working in the abstract idiom have employed both landscape and still life as basic sources for their widely differing work. Landscape Art in the East In China landscape art reached extraordinary perfection as early as the 8th cent. It engaged the highest talents during the T'ang, Sung, and Ming dynasties (see
Chinese art). The prominence accorded landscape in both Chinese and
Japanese art reflects the esteem for nature characteristic of East Asian religions. Bibliography See K. Clark, Landscape into Art (1949, repr. 1961); Z. Szabo, Landscape Painting in Watercolor (1971); P. Monahan, Landscape Painting (1985); J. Arthur, Spirit of Place: Contemporary Landscape Painting and the American Tradition (1989); A. Wilton and T. Barringer, American Sublime: Landscape Painting in the United States, 1820–1880 (2002). The Columbia Encyclopedia, Sixth Edition Copyright© 2004, Columbia University Press. Licensed from Lernout & Hauspie Speech Products N.V. All rights reserved. | 
