Georges Seurat

This reference provides biographical, historical, and critical information on Neo-Impressionist painting and its most significant painters. Neo-Impressionism, also called Divisionism and Pointillism, was one of the most innovative and startling late 19th-century French avant-garde styles. Over 2,000 books, articles, manuscripts, and audiovisual materials as well as chronologies, biographical sketches, and exhibition lists are cited. Also provided are both primary and secondary bibliographies for each artist. Secondary bibliographies capture details about each artist's life and career, relationships with other artists, work in various media, iconography, critical reception and interpretation, archival sources and more.

A lively and accessible history of Modernism, The First Moderns is filled with portraits of genius, and intellectual breakthroughs, that richly evoke the fin-de-siegrave;cle atmosphere of Paris, Vienna, St. Louis, and St. Petersburg. William Everdell offers readers an invigorating look at the unfolding of an age. "This exceptionally wide-ranging history is chock-a-block with anecdotes, factoids, odd juxtapositions, and useful insights. Most impressive. . . . For anyone interested in learning about late 19th- and early 20th- century imaginative thought, this engagingly written book is a good place to start."--Washington Post Book World "The First Moderns brilliantly maps the beginning of a path at whose end loom as many diasporas as there are men."--Frederic Morton, The Los Angeles Times Book Review "In this truly exciting study of the origins of modernist thought, poet and teacher Everdell roams freely across disciplinary lines. . . . A brilliant book that will prove useful to scholars and generalists for years to come; enthusiastically recommended."--Library Journal, starred review "Everdell has performed a rare service for his readers. Dispelling much of the current nonsense about 'postmodernism,' this book belongs on the very short list of profound works of cultural analysis."--Booklist "Innovative and impressive . . . [Everdell] has written a marvelous, erudite, and readable study."-Mark Bevir, Spectator "A richly eclectic history of the dawn of a new era in painting, music, literature, mathematics, physics, genetics, neuroscience, psychiatry and philosophy."--Margaret Wertheim, New Scientist "[Everdell] has himself recombined the parts of our era's intellectual history in new and startling ways, shedding light for which the reader of The First Moderns will be eternally grateful."--Hugh Kenner, The New York Times Book Review "Everdell shows how the idea of "modernity" arose before the First World War by telling the stories of heroes such as T. S. Eliot, Max Planck, and Georges Serault with such a lively eye for detail, irony, and ambiance that you feel as if you're reliving those miraculous years."--Jon Spayde, Utne Reader

This books strength lies in its combination of approaches: Symbolism is viewed as a set of concepts and as an artistic climate. Its structure allows for the inclusion of artists not normally found in most Symbolist anthologies.

The Concise Oxford Dictionary of Art and Artists, Second Edition is an authoritative and up-to-date guide to Western art from Ancient Greece to the present day. It offers over two thousand entries on painting, sculpture, and the graphic arts, covering not only artists and their work, but also patrons and dealers, collectors and writers, materials and techniques, and museums and galleries. For this new edition much new material has been added on twentieth-century art, including subjects such as Neo-Expressionism and the Turner Prize. Written in clear, lively prose, this invaluable reference maintains a careful balance between fact and appraisal. In its pages, we encounter artists ranging from Polyclitus of Argos to Leonardo da Vinci, from Grandma Moses to Mary Cassatt, from Max Beckmann to Andy Warhol. Here also are periods and movements, including the Classical period, the Renaissance, the Ancients, Impressionism, the Ash-can School, and Cubism, as well as techniques and styles such as encaustic painting, encarnado, lithography, cabinet painting, and blot drawing. For this abridgement, Ian Chilvers has retained all of the essential features of the original while adding new entries and eliminating the more peripheral articles. By presenting the information in a pithier format, he is able to focus more sharply on Western and Western-inspired art. The dictionary also provides a very helpful cross-referencing system for names, art media, styles, and terms. Art enthusiasts of every kind will find this entirely reliable and highly readable volume indispensable.