Hieronymus Bosch

Hieronymus Bosch, or Jerom Bos (hērôn´Ĭməs, yā´rôm bôs), c.1450–1516, Flemish painter. His surname was originally van Aeken; Bosch refers to 's Hertogenbosch, where he was born and worked. Little is known of his life and training, although it is clear that he belonged to a family of painters. His paintings, executed in brilliant colors and with an uncanny mastery of detail, are filled with strangely animated objects, bizarre plants and animals, and monstrous, amusing, or diabolical figures believed to have been suggested by folk legends, allegorical poems, moralizing religious literature, and aspects of late Gothic art. Such works as the Garden of Earthly Delights (Prado) appear to be intricate allegories; their symbolism, however, is obscure and has consistently defied unified interpretation. Bosch clearly had an interest in the grotesque, the diabolical, the exuberant, and the macabre. He also may have been the first European painter to depict scenes of everyday life, although often with a strong element of the bizarre.

King Philip II of Spain collected some of his finest creations. The Temptation of St. Anthony (Lisbon) and The Last Judgment were recurring themes. Other examples of his art may be seen in the Escorial and in Brussels. Examples of the Adoration of the Magi are in the Metropolitan Museum and in the Philadelphia Museum, which also has the Mocking of Christ. Bosch, who deeply influenced the work of Peter Bruegel the Elder, was hailed in the 20th cent. as a forerunner of the surrealists, and his work continues to influence many contemporary artists. Bosch, who had many imitators, signed only seven of his paintings. Over the years, scholars have attributed to Bosch fewer and fewer of the works originally thought to be his, and by the beginning of the 21st cent. only 25 to 30 were definitively ascribed to him.

See his paintings, ed. by G. Martin (1966, repr. 1971); biographies by W. Fraenger (1983) and W. S. Gibson (1985); study by J. Snyder, ed. (1973).

The Columbia Encyclopedia, 6th ed. Copyright© 2014, The Columbia University Press.

Selected full-text books and articles on this topic

Hieronymus Bosch
Ludwig von Baldass.
H. N. Abrams, 1960
Bosch: Biographical and Critical Study
Robert L. Delevoy; Stuart Gilbert.
Skira, 1960
The Millennium of Hieronymus Bosch
Wilhelm Fränger; Eithne Wilkins; Ernst Kaiser.
University of Chicago Press, 1951
Bosch's 'Christ Carrying the Cross.' (Painting by Hieronymus Bosch)
Marsden, Gordon.
History Today, Vol. 47, No. 4, April 1997
Houses of the Interpreter: Reading Scripture, Reading Culture
David Lyle Jeffrey.
Baylor University Press, 2003
Librarian’s tip: Chap. Nine "Parody and Piety in Bosch's Haywain"
Early Netherlandish Painting: From Van Eyck to Bruegel
Max J. Friedlænder.
Phaidon Publishers, 1956
Librarian’s tip: "Jerome Bosch" begins on p. 56
The Practice of Theory: Poststructuralism, Cultural Politics, and Art History
Keith Moxey.
Cornell University Press, 1994
Librarian’s tip: Discussion of Hieronymus Bosch begins on p. 115
The Hutchinson Encyclopedia of the Renaissance
David Rundle.
Westview Press, 1999
Librarian’s tip: Discussion of Hieronymus Bosch begins on p. 55
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