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An Introduction to the Ceramics of Tres Zapotes, Veracruz, Mexico
by Clarence Wolsey Weiant. 144 pgs.
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publication details
 Table of contents
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CONTENTS |
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Preface |
XI |
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Introduction |
1 |
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Description of the archeological zone |
1 |
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The Cabeza Group |
2 |
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The Ranchito Group |
3 |
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The Arroyo Group |
3 |
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The North Group |
3 |
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The excavations |
6 |
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The Cabeza Colosal |
6 |
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Cabeza Group, Mound E |
6 |
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Stela A |
7 |
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Ranchito Group |
7 |
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Zone of the burials |
7 |
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Mound A |
9 |
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Mound C |
9 |
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Mound D and adjacent areas |
10 |
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Miscellaneous excavations |
11 |
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Mounds J and K |
11 |
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Mound F |
12 |
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Arroyo Group |
12 |
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The Plaza |
12 |
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The Long Mound (C) |
13 |
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Mound G (the Stone Platform) |
13 |
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Mound F |
14 |
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Mound B |
14 |
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Mounds I and J |
15 |
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Part 1. The pottery |
16 |
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Middle Tres Zapotes A: Classification |
16 |
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Unslipped or partially slipped wares |
16 |
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Monochrome wares |
17 |
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Dichrome (Red-and-White Incised) ware |
19 |
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Middle Tres Zapotes B: Classification |
19 |
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Unslipped or partially slipped wares |
19 |
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Monochrome wares |
20 |
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Wares with painted decoration |
21 |
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Upper Tres Zapotes: Classification |
22 |
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Unslipped or partially slipped wares |
23 |
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Monochrome wares |
26 |
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Pseudodichrome wares |
29 |
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Dichrome wares |
30 |
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Pseudotrichrome wares |
30 |
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Trichrome wares |
31 |
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The general Ranchito collection |
55 |
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Wares and their relative frequency |
55 |
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Classification and enumeration of sherds with painted decoration |
56 |
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Part 1. The pottery -- Continued. page |
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The general Ranchito collection -- Continued. PAGE |
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Forms and sizes of vessels |
60 |
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Forms of support |
63 |
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Handles |
68 |
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Spouted vessels |
68 |
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Distribution of forms according to ware |
68 |
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Decorative techniques other than painting |
69 |
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Miscellaneous and aberrant specimens |
76 |
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Specimens of special value for comparative purposes |
80 |
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Part 2. The figurines |
84 |
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Tres Zapotes figurines of archaic type |
84 |
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Classic Pointed-chin type (pls. 1, 2) |
84 |
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Classic Prognathous type (pl. 3) |
84 |
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Classic Rectangular-face type (pls. 4, 5) |
85 |
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Classic Beatific type (pls. 6, 7) |
85 |
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A typical Transitional type (pl. 8) |
86 |
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A typical Transitional type (pl. 9) |
86 |
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Typical Vaillant's A Type (pls. 10, 11, 12) |
87 |
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Typical Grotesque variants (pls. 13, 14) |
88 |
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Interrelation of typical types (pl. 15) |
89 |
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A Uaxactun type (pls. 16, 17) |
90 |
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Baby-faces (pls. 18, 19) |
90 |
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Morelos types (pls. 20, 21) |
92 |
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Variants (pl. 22) |
93 |
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Variants (pl. 23) |
93 |
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An aberrant group (pl. 24) |
94 |
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Two aberrant groups (pl. 25) |
94 |
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Miscellaneous variant and aberrant specimens (pl. 26) |
94 |
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Miscellaneous variant and aberrant specimens (pl. 27) |
96 |
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Profiles (pl. 28) |
96 |
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Early deities (pl. 29) |
97 |
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Major archaic types (pl. 30) |
97 |
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Unclassified (pl. 31) |
98 |
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Bodies (pls. 32-36) |
98 |
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Primitive Maya and allied types (pl. 37) |
100 |
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Figurines reflecting the high cultures |
101 |
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A Teotihuacán type (pl. 38) |
101 |
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Some Middle American deities (pl. 39) |
102 |
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Miscellaneous figurines (mostly unclassified) (pl. 40) |
103 |
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Mold-made Mayoid figurines (pls. 41, 42, 43) |
104 |
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"Totonac" figurines (pl. 44) |
106 |
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Some "Totonac"- Maya comparisons (pl. 45) |
107 |
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Whistles and musical instruments |
108 |
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Whistles of the Tuxtla region (pl. 46) |
108 |
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Ocarinas (pl. 47) |
108 |
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Bird effigies (pl. 48) |
108 |
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Birds and reptiles (pl. 49) |
109 |
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The coati-mundi and unidentified forms (pl. 50) |
109 |
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Monkeys and miscellaneous mammals (pls. 51, 52) |
110 |
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Tubular instruments (including a panpipe) (pl. 53) |
110 |
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Part 3. Miscellaneous ceramic material and work in stone |
112 |
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Special pottery and figurine fragments |
112 |
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Effigy handles (pls. 54, 55) |
112 |
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Effigy necks (pl. 56) |
112 |
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Sculptured pottery (pl. 57) |
113 |
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An effigy vessel, a figurine, and a mask (pl. 58) |
114 |
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Miscellaneous vessels, sherds, and pottery objects (pl. 59) |
114 |
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Miscellaneous effigies (pl. 60) |
115 |
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Limb fragments of jointed and large hollow figurines (pl. 61) |
116 |
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Miscellaneous clay objects |
116 |
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Seals (pls. 62, 63) |
116 |
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Spindle whorls and beads (pl. 64) |
117 |
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Ear spools, rings, and beads (pl. 65) |
117 |
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Work in stone (pls. 66-78) |
118 |
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Stone yokes |
118 |
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Metates, |
118 |
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Stone vessels |
118 |
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Stone rings |
119 |
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Sling stones |
119 |
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Human figures |
119 |
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Miscellaneous stone objects |
119 |
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Minor stone objects |
120 |
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Jade |
120 |
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Galena |
121 |
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Obsidian |
121 |
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Part 4. Synthesis |
122 |
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Problems |
122 |
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Differential features of Middle Tres Zapotes A and B and Upper Tres Zapotes |
122 |
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Q complex elements |
124 |
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The archaic question |
124 |
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The Olmec question |
126 |
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Relations with the Maya Old Empire |
127 |
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Relations with the Maya Renaissance |
128 |
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Relations with Teotihuacán |
128 |
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Relations with Totonacapán |
129 |
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Relations with Zapotecan culture |
130 |
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Relations with the Mixteca-Puebla culture |
131 |
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Relations with the Huaxteca |
131 |
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Aztec remains |
131 |
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General conclusions |
132 |
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Bibliography |
133 |
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Appendix. Inventories of representative burials |
139 |
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Index |
141 |
Mary Favret He died, and the world showed no outward sign. . . . He died, and his place . . . has never been filled up. Mary Shelley, Preface to The Poetical Works of Percy Bysshe Shelley Any objective method, duly verified, belies the initial contact with the object. It must first scrutinize everything...
Laurie Langbauer
Writing in the first issue of Cultural Studies , the Australian critic Jennifer Craik cites Stuart Hall and Tony Bennett to argue that "the development of cultural studies has seen an uneasy alliance. . . which overlooks the intrinsic incommensurability...
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