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Ballads, Lyrics and Hymns
by Alice Cary.. 333 pgs.
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publication details
 Table of contents
|
BALLADS. page |
|
|
THE YOUNG SOLDIER |
3 |
|
" O WINDS! YE ARE TOO ROUGH, TOO ROUGH I " |
8 |
|
RUTH AND I |
9 |
|
HAGEN WALDER |
12 |
|
"AMONG THE PITFALLS IN OUR WAY" |
14 |
|
OUR SCHOOLMASTER |
15 |
|
"THE BEST MAN SHOULD NEVER PASS BY" |
18 |
|
THE GRAY SWAN |
19 |
|
THE WASHERWOMAN |
22 |
|
GROWING RICH |
25 |
|
"TOO MUCH JOY IS SORROWFUL," |
26 |
|
SANDY MACLEOD |
27 |
|
THE PICTURE-BOOK |
29 |
|
"HE SPOILS HIS HOUSE AND THROWS HIS PAINS AWAY" |
31 |
|
A WALK THROUGH THE SNOW |
32 |
|
"THE GLANCE THAT DOTH MY NEIGHBOR DOUBT" |
34 |
|
THE WATER-BEARER |
35 |
|
THE BEST JUDGMENT |
43 |
|
HUGH THORNDYKE |
46 |
|
"STILL FROM THE UNSATISFYING QUEST" |
48 |
|
FAITHLESS |
49 |
|
"Do NOT LOOK FOR WRONG AND EVIL" — |
51 |
|
MY FADED SHAWL |
52 |
|
CARE |
60 |
|
OLD CHUMS |
61 |
|
"APART FROM THE WOES THAT ARE DEAD AND GONE," |
63 |
|
THE SHOEMAKER |
64 |
|
TO THE WIND |
66 |
|
"WHAT COMFORT, WHEN WITH CLOUDS OF WOE" |
68 |
|
LITTLE CYRUS |
69 |
|
|
|
|
"OUR GOD IS LOVE, AND THAT WHICH WE MISCALL" |
73 |
|
MORNING |
74 |
|
THE SUMMER STORM |
77 |
|
IF AND IF |
79 |
|
"WE ARE THE MARINERS, AND GOD THE SEA |
84 |
|
AN ORDER FOR A PICTURE |
85 |
|
FIFTEEN AND FIFTY |
90 |
|
JENNY DUNLEATH |
97 |
|
TRICKSEY'S RING |
103 |
|
CRAZY CHRISTOPHER |
110 |
|
THE FERRY OF GALLAWAY |
116 |
|
REVOLUTIONARY STORY |
119 |
|
"JUST HERE AND THERE WITH SOME POOR LITTLE RAY" |
123 |
|
"HOPE IN OUR HEARTS DOTH ONLY STAY" |
124 |
|
THOUGHTS AND THEORIES. |
|
|
THANKSGIVING |
127 |
|
THE BRIDAL VEIL |
143 |
|
THE SPECIAL DARLING |
145 |
|
A DREAM OF THE WEST |
147 |
|
ON SEEING A DROWNING MOTH |
149 |
|
GOOD AND EVIL |
152 |
|
STROLLER'S SONG |
154 |
|
A LESSON |
156 |
|
ON SEEING A WILD BIRD |
158 |
|
RICH, THOUGH POOR |
160 |
|
SIXTEEN |
162 |
|
PRAYER FOR LIGHT |
164 |
|
THE UNCUT LEAF |
166 |
|
THE MIGHT OF TRUTH |
168 |
|
COUNSEL |
170 |
|
THE LITTLE BLACKSMITH |
172 |
|
TWO TRAVELLERS |
174 |
|
THE BLIND TRAVELLER |
177 |
|
THE BLACKBIRD |
179 |
|
MY GOOD ANGEL |
181 |
|
MORE LIFE |
183 |
|
CONTRADICTORY |
185 |
|
|
|
|
THIS IS ALL |
187 |
|
IN VAIN |
189 |
|
BEST, TO THE BEST |
191 |
|
THORNS |
193 |
|
OLD ADAM |
195 |
|
THE FARMER'S DAUGHTER |
197 |
|
A PRAYER |
199 |
|
ALONE |
201 |
|
SOMETIMES |
202 |
|
THE SEA-SIDE CAVE |
204 |
|
JANUARY |
206 |
|
THE MEASURE OF TIME |
209 |
|
IDLE FEARS |
211 |
|
HINTS |
213 |
|
TO A STAGNANT RIVER |
215 |
|
COUNSEL |
217 |
|
LATENT LIFE |
219 |
|
HOW AND WHERE |
221 |
|
THE FELLED TREE |
223 |
|
A DREAM |
226 |
|
WORK |
227 |
|
COMFORT |
229 |
|
FAITH AND WORKS |
230 |
|
THE RUSTIC PAINTER |
232 |
|
ONE OF MANY |
234 |
|
THE SHADOW |
237 |
|
THE UNWISE CHOICE |
239 |
|
SIGNS OF GRACE |
241 |
|
PROVIDENCE |
243 |
|
THE LIVING PRESENT |
244 |
|
ONE DUST |
246 |
|
THE WEAVER'S DREAM |
248 |
|
NOT NOW |
250 |
|
CRAGS |
252 |
|
MAN |
254 |
|
TO SOLITUDE |
256 |
|
THE LAW OF LIBERTY |
258 |
|
MY CREED |
260 |
|
OPEN SECRETS |
262 |
|
|
|
|
THE SADDEST SIGHT |
264 |
|
THE BRIDAL HOUR |
266 |
|
IDLE |
267 |
|
HYMNS. |
|
|
THE SURE WITNESS |
271 |
|
LOVE IS LIFE |
273 |
|
"THY WORKS, O LORD, INTERPRET THEE," |
274 |
|
TIME |
275 |
|
CONSOLATION |
276 |
|
SUPPLICATION |
277 |
|
"WHY SHOULD OUR SPIRITS BE OPPREST" |
278 |
|
WHITHER |
279 |
|
SURE ANCHOR |
280 |
|
REMEMBER |
282 |
|
LYRIC |
284 |
|
SUNDAY MORNING |
285 |
|
IN THE DARK |
287 |
|
PARTING SONG |
289 |
|
MOURN NOT |
291 |
|
THE HEAVEN THAT'S HERE |
293 |
|
THE STREAM OF LIFE |
295 |
|
DEAD AND ALIVE |
296 |
|
INVOCATION |
298 |
|
LIFE OF LIFE |
300 |
|
MERCIES |
302 |
|
PLEASURE AND PAIN 303 |
|
|
MYSTERIES 305 |
|
|
LYRIC 307 |
|
|
TRUST |
308 |
|
ALL IN ALL |
310 |
|
THE PURE IN HEART 312 |
|
|
UNSATISFIED |
314 |
|
MORE LIFE |
316 |
|
LIGHT AND DARKNESS 318 |
|
|
SUBSTANCE |
320 |
|
LIFE'S MYSTERY |
322 |
|
FOR SELF-HELP |
324 |
|
|
|
|
DYING HYMN |
326 |
|
EXTREMITIES |
327 |
|
HERE AND THERE |
329 |
|
THE DAWN OF PEACE 330 |
|
|
OCCASIONAL 339 |
|
Mary Favret He died, and the world showed no outward sign. . . . He died, and his place . . . has never been filled up. Mary Shelley, Preface to The Poetical Works of Percy Bysshe Shelley Any objective method, duly verified, belies the initial contact with the object. It must first scrutinize everything...
Laurie Langbauer
Writing in the first issue of Cultural Studies , the Australian critic Jennifer Craik cites Stuart Hall and Tony Bennett to argue that "the development of cultural studies has seen an uneasy alliance. . . which overlooks the intrinsic incommensurability...
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