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Alfred Hitchcock

Hitchcock, Sir Alfred


Sir Alfred Hitchcock, 1899–1980, English-American film director, writer, and producer, b. London. Hitchcock began his career as a director in 1925 and became prominent with The 39 Steps (1935) and The Lady Vanishes (1938). In 1940 he began working in the United States. In his suspense thrillers, Hitchcock unsettled audiences both through the use of intense set pieces and the suggestion that normality as usually defined masks humanity's true and much darker nature. Hitchcock's style is so distinctive that any filmmaker working in the suspense genre invariably risks comparison to him. His best films include Strangers on a Train (1951), in which a tennis player is invited by a fellow rail passenger to trade murders; Rear Window (1954), a thriller about voyeurism; Vertigo (1958), an obsessive romance in which a woman uncannily resembles the dead beloved; North by Northwest (1959), in which a advertising executive is chased across the United States by foreign agents as a result of a mistaken identity; and Psycho (1960), a work that has had enormous influence on film and cultural history in which a mother-obsessed transvestite murders a beautiful thief. His other films include Rebecca (1940), Notorious (1946), The Birds (1963), Frenzy (1972), and Family Plot (1977). Hitchcock had two successful television series (1955–62 and 1963–65) and was one of the best known directors of his time, often appearing in humorous cameo appearances in his own films. He was knighted in 1980.



See F. Truffaut, Hitchcock (rev. ed. 1985); biographies by J. R. Taylor (1978) and D. Spoto (1983); studies by R. Durgnat (1974), D. Spoto (1976, repr. 1992), P. Conrad (2001), and D. Thomson (2009).

The Columbia Encyclopedia, 6th ed. Copyright© 2012, The Columbia University Press.

Selected full-text books and articles on this topic at Questia

Hitchcock: Past and Future
Richard Allen; Sam Ishii-Gonzáles. Routledge, 2004
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Hitchcock's Films Revisited
Robin Wood. Columbia University Press, 1989
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An Eye for Hitchcock
Murray Pomerance. Rutgers University Press, 2004
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Encounters with Filmmakers: Eight Career Studies
Jon Tuska. Greenwood Press, 1991
Librarian’s tip: "Alfred Hitchcock" begins on p. 65
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Stage Fright: Alfred Hitchcock's Fear of Acting
Fawell, John. Film Criticism, Vol. 26, No. 1, Fall 2001
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The Allegory of Seeing in Hitchcock's Silent Films
Morris, Christopher D. Film Criticism, Vol. 22, No. 2, Winter 1997
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Noir, Now and Then: Film Noir Originals and Remakes, (1944-1999)
Ronald Schwartz. Greenwood Press, 2001
Librarian’s tip: Includes discussion of Alfred Hitchcock in multiple chapters
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Hitchcock and the Censors
Leff, Leonard J. The World and I, Vol. 14, No. 8, August 1999
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Hitchcock's Rear Window: The Well-Made Film
John Fawell. Southern Illinois University Press, 2001
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You Ain't Heard Nothin' Yet: The American Talking Film: History & Memory, 1927-1949
Andrew Sarris. Oxford University Press, 1998
Librarian’s tip: "Alfred Hitchcock (1899-1980)" begins on p. 235
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Screening the Sacred: Religion, Myth, and Ideology in Popular American Film
Joel W. Martin; Conrad E. Ostwalt Jr. Westview Press, 1995
Librarian’s tip: Chap. 2 "Shall These Bones Live? The Problem of Bodies in Alfred Hitchcock's Psycho and Joel Coen's Blood Simple"
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The Naked and the Undead: Evil and the Appeal of Horror
Cynthia A. Freeland. Westview Press, 2000
Librarian’s tip: Discussion of Alfred Hitchcock begins on p. 161
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Psychological Reflections on Cinematic Terror: Jungian Archetypes in Horror Films
James F. Iaccino. Praeger, 1994
Librarian’s tip: Chap. 3 "From Psycho to The Shining: Victims of Cruel Surroundings"
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