Search by...
Results should have...
  • All of these words
  • Any of these words
  • This exact phrase
  • None of these words
Keyword searches may also use the operators
AND, OR, NOT, “ ”, ( )

Sergei Eisenstein

Eisenstein, Sergei Mikhailovich


Sergei Mikhailovich Eisenstein (syĬrgā´ mēkhī´ləvĬch ī´zənshtīn), 1898–1948, Russian film director. An architect and engineer, he became interested in a theatrical career and worked as a scene designer and stage director (1920). He began his film career in 1924 with Strike, followed by Potemkin (1925), which brought him world fame. Eisenstein developed a system of editing techniques, called montage, through which he made complex statements visually rather than through dialogue. His most famous sequences, the massacre on the Odessa steps in Potemkin and the rising of the drawbridge in October (1927), were composed of hundreds of shots edited according to his precise instructions. His only American project, Que Viva Mexico!, filmed in Mexico in 1930, was taken from his control and later edited by others. His Alexander Nevsky (1938) was an international success, but his projected trilogy Ivan the Terrible (1942–46) met with government disfavor. Part I was released in 1946, but Part II was withheld by the Soviet Film Trust until 1958. Eisenstein died before he could start Part III. He wrote The Film Sense (tr. 1942, rev. ed. 1947), The Film Form (tr. 1949), and Notes of a Film Director (tr. 1959).



See biographies by Y. Barna (1974) and R. Bergan (1999).

The Columbia Encyclopedia, 6th ed. Copyright© 2012, The Columbia University Press.

Selected full-text books and articles on this topic at Questia

Eisenstein Rediscovered
Ian Christie; Richard Taylor. Routledge, 1993
Read preview
Ivan the Terrible, a Screenplay
Ivor Montagu; Herbert Marshall; Ivor Montagu; Sergei Eisenstein. Simon & Schuster, 1962
Read preview
Closely Watched Films: An Introduction to the Art of Narrative Film Technique
Marilyn Fabe. University of California Press, 2004
Librarian’s tip: Chap. 2 "The Art of Montage: Sergei Eisenstein's The Battleship Potemkin"
Read preview
The Occult in Russian and Soviet Culture
Bernice Glatzer Rosenthal. Cornell University Press, 1997
Librarian’s tip: Chap. Twelve "Sergei Eisenstein's Gnostic Circle"
Read preview
Classical Myth & Culture in the Cinema
Martin M. Winkler. Oxford University Press, 2001
Librarian’s tip: Chap. IX "Ancient Poetics and Eisenstein's Films"
Read preview
Film Feminisms: Theory and Practice
Mary C. Gentile. Greenwood Press, 1985
Librarian’s tip: Chap. 2 "Reading Eisenstein"
Read preview
Theories of Film
Andrew Tudor. Viking Press, 1974
Librarian’s tip: Chap. 2 "Eisenstein: Great Beginnings"
Read preview
The Major Film Theories: An Introduction
J. Dudley Andrew. Oxford University Press, 1976
Librarian’s tip: Chap. 3 "Sergei Eisenstein"
Read preview
Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson
Richard Allen; Malcolm Turvey. Amsterdam University Press, 2003
Librarian’s tip: "Eisenstein's Philosophy of Film" begins on p. 127
Read preview
A History of Narrative Film
David A. Cook. W.W. Norton, 1996 (3rd edition)
Librarian’s tip: Discussion of Sergei Eisenstein begins on p. 140
Read preview
The Oxford History of World Cinema
Geoffrey Nowell-Smith. Oxford University Press, 1997
Librarian’s tip: "Sergei Eisenstein (1898-1948)" begins on p. 168
Read preview
Search for more books and articles on Sergei Eisenstein