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   Blueprint for Screenwriting: A Complete Writer's Guide to Story Structure and Character Development » Read Now

   by Rachel Ballon. 168 pgs.

   Collections: Entire Library

   Blueprint for Screenwriting demystifies the writing process by developing a "blueprint" for writers to follow for each new screenplay--from original concept to completed script. Author and international script consultant Dr. Rachel Ballon explores the writing craft and emphasizes creativity in the...

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   Blueprint for Screenwriting demystifies the writing process by developing a "blueprint" for writers to follow for each new screenplay--from original concept to completed script. Author and international script consultant Dr. Rachel Ballon explores the writing craft and emphasizes creativity in the writing process. She blends her expertise in script analysis and writing coaching with her personal experience as a screenwriter to help writers construct their stories and characters.Starting with the story's framework, Dr. Ballon helps readers to understand the key "building blocks" of story structure and character development, including characters' emotional and psychological states, story conflicts, and scene and act structure. She also covers the essential components in the script writing process, such as outlines, script treatments, synopses, and formats. Dr. Ballon devotes a chapter to overcoming writer's block--the writer's greatest obstacle--and offers guidance for taking the next steps once a script is completed.A practical tool for any writer, this distinctive resource: *offers a blueprint for writers to follow, breaking the writing process down into specific, easy-to-follow steps; *stresses the psychology of the characters as well as that of the writer; and *offers first-hand knowledge of the screenwriting process and gives practical advice for completing and marketing scripts.With its unique and insightful approach to the writing process, this book will be indispensable for scriptwriters, fiction writers, and professional writers, and it will serve as a useful text in screenwriting courses.

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   The First Time I Got Paid for It -- Writers' Tales from the Hollywood Trenches » Read Now

   by Peter Lefcourt, Laura J. Shapiro. 288 pgs.

   Collections: Entire Library

   In this irresistible browsing book, America's finest screenwriters--among them Cameron Crowe, Nora Ephron, Lawrence Kasdan, and Nick Kazan--write about how they broke into the Movie Biz.
   
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   Standpoint: Disappearing Authors: A Postmodern Perspective on the Practice of Writing for the Screen, in Journal of Broadcasting & Electronic Media » Read Now

   by Nathaniel Kohn. 7 pgs.

   Collections: Entire Library
   
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   Overhearing Film Dialogue » Read Now

   by Sarah Kozloff. 323 pgs.

   Collections: Entire Library

   Since the birth of cinema, film has been lauded as a visual rather than a verbal medium; this sentiment was epitomized by John Ford's assertion in 1964 that, "When a motion picture is at its best, it is long on action and short on dialogue." Little serious work has been done on the subject of film...

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   Since the birth of cinema, film has been lauded as a visual rather than a verbal medium; this sentiment was epitomized by John Ford's assertion in 1964 that, "When a motion picture is at its best, it is long on action and short on dialogue." Little serious work has been done on the subject of film dialogue, yet what characters say and how they say it has been crucial to our experience and understanding of every film since the coming of sound. Through informative discussions of dozens of classic and contemporary films--from "Bringing Up Baby" to "Terms of Endearment," from "Stagecoach" to "Reservoir Dogs"--this lively book provides the first full-length study of the use of dialogue in American film.

   Sarah Kozloff shows why dialogue has been neglected in the analysis of narrative film and uncovers the essential contributions dialogue makes to a film's development and impact. She uses narrative theory and drama theory to analyze the functions that dialogue typically serves in a film.

   The second part of the book is a comprehensive discussion of the role and nature of dialogue in four film genres: westerns, screwball comedies, gangster films, and melodramas. Focusing on topics such as class and ethnic dialects, censorship, and the effect of dramatic irony, Kozloff provides an illuminating new perspective on film genres.

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   The Rights of Authors, Artists, and Other Creative People: The Basic ACLU Guide to Author and Artist Rights ("The Screenwriter's Contract" begins on p. 94) » Read Now

   by Kenneth P. Norwick, Jerry Simon Chasen. 312 pgs.

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   Screenplay Culture, in The Nation » Read Now

   by Lewis Cole. 7 pgs.

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   The Blue Dahlia: A Screenplay » Read Now

   by Raymond Chandler, Matthew J. Bruccoli. 175 pgs.

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   Kate Chopin's The Awakening: Screenplay as Interpretation » Read Now

   by Marilyn Hoder-Salmon. 204 pgs.

   Collections: Literature, Entire Library
   
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   Screenwriting with a Conscience: Ethics for Screenwriters » Read Now

   by Marilyn Beker. 245 pgs.

   Collections: Entire Library