This easy-to-use guide explores the relationships between film images and the experience of war, showing how films influence war-time behavior and how wars influence films. This unique reference combines essays on the aesthetic and historical aspects of war films with classifications and discussions of films about different wars, a filmography arranged alphabetically with annotations, a bibliography of books and articles dealing with war films, a general guide for film study, along with separate indices to film titles, filmmakers, and subjects.
In this volume, the first of a five volume, 6000-page series, the editors bring together representative unpublished government documents relating to film production in the United States during World War I.
In this volume, the first of a five volume, 6000-page series, the editors bring together representative unpublished government documents relating to film production in the United States during World War I.
This book charts a momentous period through the eyes of thirteen key films. Examining scripts, reviews and box-office returns, not to mention a mass of official documentation from the Home Office and censorship archives, it places each film in its social and political context to explore the relationship between the propagandists and the film-makers.
This book is a collection of nine essays examining the impact of World War II on the American people. The contributions range from "macro" studies (the ways corporations sought to recruit women into the work force) to "micro" studies (the impact of the war on working conditions in Indiana) to biography (the Congressional career of Margaret Chase Smith). Focusing as it does on the domestic scene, this study offers a comprehensive selection of the impact of the war on Americans, and the way it influenced concepts of gender, race, class, and ethnicity.
"More genres, 19 in fact, are discussed than in other standard works. The 14 genres considered here by film scholar contributors other than Gehring include the adventure film, the western, the gangster film, film noir, the WW II combat film, the horror film, science fiction, fantasy, the musical, melodrama, the social problem film, the biographical film, and the art film. The discussion of fine comedy genres by Gehring himself is far more extensive than in other genre studies, embracing screwball comedy, populist comedy, parody, black humor, and clown comedy. . . . Recommended for both undergraduate and graduate collections." Choice
The memory of the Algerian war (1954-1962) continues to haunt French society. Although part of a much wider process of decolonization, the conflict was so traumatic that it brought France to the verge of civil war. Philip Dine has written the first full-length survey in any language of the French fiction and film generated by the war, ranging from the writings of Camus to the cinema of Godard, and from the 1950s to the 1990s. Writers discussed include Camus, Etecherelli, Marie Cardinal, Genet, Millecam, Perec, and Jules Roy. Filmmakers covered include Godard, Ophuls, Varda, Schoendorffer, Marker, Resnais, and Demy. All quotations in French are accompanied by English translations.