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Reality Television

Reality television is a genre of television programming in which ordinary people are put into dramatic or humorous situations and their emotions and behavior are monitored. Such programming is unscripted and relies on real or true events from everyday life or it sometimes takes the form of contests or talent shows where a prize is awarded. Reality television productions are called reality shows and they began forming in the late 1940s but did not become popular until the late 1990s. They especially proliferated around 1999–2000 after the success of shows like Big Brother and Survivor.

Reality shows are often produced in a series and they use film or video footage of sensational and scandalous events to attract viewers and advertisers because they are often broadcast in prime time. Usually footage is deliberately manufactured and speech and actions of the participants are directed and follow a script, but pretend to recreate reality. Reality television actually has an element of unreality because in most of the shows participants are aware that they are on camera and some moments are emphasised over others to create a dramatic and emotional effect.

Reality television programming is less expensive than traditional programming because it uses less and cheaper equipment, smaller crews, fewer sets and not as many paid performers. It started on the radio with a radio series which was later moved to the screen.

The first reality television practitioner, also called "granddaddy of reality TV genre," was Alan Funt who in 1948 introduced his TV series Candid Camera based on his 1947 radio show Candid Microphone. He replaced the hidden microphones with hidden cameras but still created artificial realities and pranks for ordinary people and observed their reactions. At the end of every prank someone from the crew or Funt himself would go to the "victim" and say "Smile. You're on Candid Camera." The 1950 game shows Beat the Clock and Truth or Consequence also put participants in funny situations and competitions and frequently used candid cameras.

Modern reality shows borrow a lot of elements and ideas from these pioneering series which paved the way for reality television. For example the radio series Nightwatch (1951–1955), which followed the daily activities of police officers in Culver City, California, is the precursor of the modern version of the TV show COPS. Audience-participation elements in reality television were borrowed from the series You asked for it (1951–1955) in which viewers requested what they wanted to see on television and dictated the content.

The first reality television show in the modern sense, which became a hit in 1973, was An American Family on PBS. It showed the daily life of an ordinary family called the Louds who decided to divorce in the course of the show. The show's genre was a documentary but it was ground-breaking because of the on-screen coming out of the Louds' gay son which shocked the 1970 audience. Celebrity reality shows like The Osbornes, Nick & Jessica or Hogan Knows Best borrowed the idea for reality-soap genre from the 1973 pioneering show.

An American Family was also an inspiration for other family-based reality programmes like The Real Housewives of Orange County, Little People and Big World which emphasised the drama in dysfunctional households.

In summer 2000 reality television programmes reached their peak of popularity with the successes of Big Brother and Survivor in the United States. Survivor and American Idol, in particular, have topped the American season-average television ratings for a few consecutive years. Those shows along with The Amazing Race, America's Next Top Model series, the Dancing With The Stars series, The Apprentice, Fear Factor and Big Brother have had a global effect on reality television and many countries around the world have produced their own national versions.

Reality television programmes consist of several subgenres such as documentary-style, competition/game shows, self-improvement/makeover, renovation, social experiment, dating shows, hidden cameras, supernatural and paranormal, talk shows and hoaxes.

Documentary-style reality television and competition/game shows are divided into various subcategories. The former focuses on the daily personal and professional lives of ordinary or famous people. Consequently, the variants are either filmed in special living environments with artificially created challenges or include celebrities and certain professionals on the job.

The reality competition or reality game shows present participants competing to win a prize which is not necessarily monetary. Within this category there are different formats such as dating-based competitions like The Bachelor and its spin-off The Bachelorette and job search competitions like The Apprentice or Hell's Kitchen.

Selected full-text books and articles on this topic at Questia

Media Studies: The Essential Resource
Philip Rayner; Peter Wall; Stephen Kruger. Routledge, 2004
Librarian’s tip: Chap. 7 "Audience Participation and Reality TV"
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An Exploratory Study of Reality Appeal: Uses and Gratifications of Reality TV Shows
Papacharissi, Zizi; Mendelson, Andrew L. Journal of Broadcasting & Electronic Media, Vol. 51, No. 2, June 2007
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Determining Dimensions of Reality: A Concept Mapping of the Reality TV Landscape
Nabi, Robin L. Journal of Broadcasting & Electronic Media, Vol. 51, No. 2, June 2007
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Reality TV: More Mirror Than Window
Breyer, Richard. The World and I, Vol. 19, No. 01, January 2004
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Media Rituals: A Critical Approach
Nick Couldry. Routledge, 2003
Librarian’s tip: Chap. 6 "Live 'Reality' and the Future of Surveillance"
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Media Discourses: Analysing Media Texts
Donald Matheson. Open University Press, 2005
Librarian’s tip: Chap. 5 "Making Sense of Images: The Visual Meanings of Reality Television"
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Texts: Contemporary Cultural Texts and Critical Approaches
Peter Childs. Edinburgh University Press, 2006
Librarian’s tip: Chap. 6 "TV Show: Big Brother after the Big Other Approach: Performativity Theory"
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Media Talk: Spoken Discourse on TV and Radio
Andrew Tolson. Edinburgh University Press, 2006
Librarian’s tip: Chap. 9 "Talking to Big Brother"
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Voyeur Nation: Media, Privacy, and Peering in Modern Culture
Clay Calvert. Westview Press, 2000
Librarian’s tip: "From The Real World to Big Brother" begins on p. 34
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Media Matrix: Sexing the New Reality
Barbara Creed. Allen & Unwin, 2003
Librarian’s tip: Chap. 2 "Big Brother: Peep Shows to Reality TV"
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