Read complete books and articles on: Death in Venice

Mann, Thomas - tōˈmäs män, 1875–1955, German novelist and essayist, the outstanding German novelist of the 20th cent., b. Lübeck; brother of Heinrich Mann. A writer of great intellectual breadth, Mann developed literary themes that not only delved into the inner self but also related inner problems to changing European cultural values. To coordinate this

Fiction

Mann became famous with the publication of his first novel, Buddenbrooks (1901, tr. 1924), which depicts the rise and disintegration of a merchant family. Shorter works of fiction followed, among them Tonio Kröger (1903, tr. 1913–15); the verse drama Fiorenza (1905); and the classic Der Tod in Venedig (1912, tr. Death in Venice, 1925), a novella in which the hero, a great writer, falls prey to an uncontrolled passion, weakens, and eventually dies. These works show Mann's preoccupation with the interaction of cultural and psychological problems. The proximity of creative art to neurosis and the affinity of genius and disease are his largest themes, along with a strong interest in the nature of repressed, often homoerotic sexual desires.

Artistic values in a bourgeois society is a main theme in his rather comic second novel, Königliche Hoheit (1909, tr. Royal Highness, 1916). Among Mann's other important shorter works of fiction are Unordnung und frühes Leid (1925, tr. Early Sorrow, 1929), a story; and the short novel Mario und der Zauberer (1930, tr. Mario and the Magician, 1930), an allegorical attack on fascism.

Translations of his shorter fiction are collected in Stories of Three Decades (1936). Mann's third novel, Der Zauberberg (1924, tr. The Magic Mountain, 1927, 1995), occupied him for 12 years. Here the protagonist is a young man from a middle-class background who, after spending seven years in the midst of discussions of disease and death in a tuberculosis sanatorium, finds fulfillment in leaving to re-enter the larger world.

Mann then began his tetralogy Joseph und seine Brüder (1933–43, tr. Joseph and His Brothers, 1934–44), on which he worked intermittently for 16 years. This erudite and detailed recreation of the biblical story of Joseph is a brilliant study of the psychological and the mythological. In Doctor Faustus (1947, tr. 1948), Mann used the Faust motif to delve into the conflict between spirituality and sensuality. His last works include the novels Der Erwählte (1951, tr. The Holy Sinner, 1951) and Bekenntnisse des Hochstaplers Felix Krull (1954, tr. Confessions of Felix Krull, Confidence Man, 1955), a picaresque comedy adapted from an earlier fragment.

Essays

Mann's essays fall into two general categories—political and literary. His autobiographical essay Betrachtungen eines Unpolitischen (1918, tr., Reflections of a Nonpolitical Man, 1983) marks his decision that the artist must participate in politics in order to preserve a creative society; Mann later became an outspoken critic of fascism. Translations of his major political speeches and essays are published in Order of the Day (1942). Mann's own selection of his literary essays appeared in English as Essays of Three Decades (1947). These elaborate the recurrent themes of his fiction through studies of thinkers who influenced him.

Mann left (1933) Hitler's Germany for Switzerland in self-imposed exile, was deprived (1936) of his citizenship by the Nazis, and after 1938 lived in the United States until he returned to Switzerland in 1953. Despite his roots in romanticism, Mann was a skeptical rationalist who opposed the anti-intellectualism of many 20th-century German theorists. Mann was awarded the 1929 Nobel Prize in Literature.

The Children of Thomas Mann

Mann's daughter, Erika Mann, 1905–69, was an actress and author. Mann's son Klaus Mann, 1906–49, was a novelist, essayist, and playwright. He left Germany in 1933 and edited the anti-Nazi journal Sammlung in Amsterdam. A resident of the United States from 1935, he became a citizen in 1943 when he entered the U.S. army. His writings include Alexander: A Novel of Utopia (1929, tr. 1930); Pathetic Symphony (1936, tr. 1948), a novel about Tchaikovsky; the autobiographical Turning Point (1942); and André Gide and the Crisis in Modern Thought (1943). With his sister he wrote Escape to Life (1939) and The Other Germany (tr. 1940).

Bibliography

See Thomas Mann's letters (tr. 1971); his autobiographical Sketch of My Life (1960); G. Mann, Thomas Mann (1965); E. Mann, The Last Year of Thomas Mann (tr. 1958, repr. 1970); biographies by R. Winston (1981), R. Hayman (1995), and D. Prater (1995); studies by J. P. Stern (1967), E. Heller (1958, repr. 1973), W. E. Berendsohn (1973), and A. Heilbut (1996).

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8 of the Best Books and Articles on: Death in Venice

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1.

Death in Venice, and Seven Other Stories » Read Now
by Thomas Mann, H. T. Lowe-Porter. 410 pgs.

Collections: Literature, Entire Library
2.

The Cambridge Companion to Thomas Mann (Chap. 6 "Classicism and Its Pitfalls: Death in Venice") » Read Now
by Ritchie Robertson. 257 pgs.

Collections: Literature, Entire Library

Key dimensions of Thomas Mann's writing and life are explored in this collection of specially commissioned essays. In addition to introductory chapters on all the main works of fiction and the essays and diaries, there are four chapters examining Mann's oeuvre in relation to major themes. A final...
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Key dimensions of Thomas Mann's writing and life are explored in this collection of specially commissioned essays. In addition to introductory chapters on all the main works of fiction and the essays and diaries, there are four chapters examining Mann's oeuvre in relation to major themes. A final chapter looks at the pitfalls of translating Mann into English. The essays are well supported by supplementary material including a chronology of the period and detailed guides to further reading.
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3.

Death in Venice in Literature and Film: Six 20th-Century Versions, in Mosaic (Winnipeg) » Read Now
by George B. Von der Lippe. 19 pgs.

Collections: Literature, Entire Library
4.

The Empathic Reader: A Study of the Narcissistic Character and the Drama of the Self (Chap. Six "Defensive Aestheticism and Self-Dissolution: The Demise of the Artist in Mann's Death in Venice") » Read Now
by J. Brooks Bouson. 208 pgs.

Collections: Literature, Psychology, Entire Library
5.

Sounding the Classics: From Sophocles to Thomas Mann (Chap. 13 "Death Beckoning: Thomas Mann's Death in Venice") » Read Now
by Rudolph Binion. 166 pgs.

Collections: Literature, Entire Library

This book is a comparative study of twelve works of fiction broadly representative of the Western canon. Its aim is to discover what gives these 12 works their lasting appeal and vitality over and beyond their formal qualities. It focuses on the interplay of "text" and "subtext" within each work...
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This book is a comparative study of twelve works of fiction broadly representative of the Western canon. Its aim is to discover what gives these 12 works their lasting appeal and vitality over and beyond their formal qualities. It focuses on the interplay of "text" and "subtext" within each work after defining these terms at the outset. It then compares its twelve sample classics systematically in a conclusion that argues from the works themselves to classics in general.
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6.

Storied Cities: Literary Imaginings of Florence, Venice, and Rome ("The Abyss: Death in Venice" begins on p. 133) » Read Now
by Michael L. Ross. 314 pgs.

Collections: Literature, Entire Library

The fabled cities of Italy--Florence, Venice, and Rome--have each acquired a distinctive tradition of literary representation involving characteristic, recurrent motifs and symbolic signatures. A wealth of writing on each is examined in fiction and poetry of nineteenth and twentieth-century authors...
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The fabled cities of Italy--Florence, Venice, and Rome--have each acquired a distinctive tradition of literary representation involving characteristic, recurrent motifs and symbolic signatures. A wealth of writing on each is examined in fiction and poetry of nineteenth and twentieth-century authors. The analysis points to Florence frequently being depicted in terms of binary oppositions, such as past versus present, stasis versus movement, and light versus darkness. Venetian narratives commonly are infused with motifs relating to dream and unreality, obsession, voyeurism, isolation, melancholia, and death. History, combined with the motif of change, is a controlling metaphor for Roman fiction and poetry. In a wider theoretical framework, this writing is analyzed for the light shed on the issue of the significance of setting in literature.
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7.

Great Moral Dilemmas in Literature, Past and Present (Chap. III "Art at War with the Good (Thomas Mann: Death in Venice)") » Read Now
by R. M. MacIver. 189 pgs.

Collections: Literature, Entire Library
8.

The Seduction of the Mediterranean: Writing, Art, and Homosexual Fantasy ("The Mediterranean Obsession: Death in Venice" begins on p. 1) » Read Now
by Robert Aldrich. 260 pgs.

Collections: Literature, Entire Library

Through an explanation of forty figures in European culture, ^The Seduction of the Mediterranean argues that the Mediterranean, classical and contemporary, was the central theme in homoerotic writing and art from the 1750s to the 1950s. Episodes of exile, murder, drug-taking, wild homosexual orgies...
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Through an explanation of forty figures in European culture, ^The Seduction of the Mediterranean argues that the Mediterranean, classical and contemporary, was the central theme in homoerotic writing and art from the 1750s to the 1950s. Episodes of exile, murder, drug-taking, wild homosexual orgies and court cases are woven into an original study of a significant theme in European culture. The myth of a homoerotic Mediterranean made a major contribution to general attitudes towards Antiquity, the Renaissance and modern Italy and Greece.
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