IMPRESSIONISM, in Music
| in music, a French movement in the late 19th and early 20th cent. It was begun by Debussy in reaction to the dramatic and dynamic emotionalism of romantic music, especially that of Wagner. Reflecting the impressionist schools of French painting and letters, Debussy developed a style in which atmosphere and mood take the place of strong emotion or of the story in program music. He used new chord combinations, whole-tone chords, chromaticism, and exotic rhythms and scales. In place of the usual harmonic progression, he developed a style in which chords are valued for their individual sonorities rather than for their relations to one another, and dissonances are unprepared and unresolved. Although conceived in reaction to romanticism, musical impressionism seems today the culmination of romanticism. Its influence was widespread and is evident in the music of Ravel, Dukas, Respighi, Albéniz, de Falla, Delius, C. T. Griffes, and J. A. Carpenter. See C. Palmer, Impressionism in Music (1973). ____________________The Columbia Encyclopedia, Sixth Edition Copyright© 2004, Columbia University Press. Licensed from Lernout & Hauspie Speech Products N.V. All rights reserved. -23402- | |
|
About Questia
Questia is the world's largest online academic library offering full-text books, journals, and articles on thousands of topics.
Join Now...
|
|
Questia Books and Articles on: Impressionism in Music
|
| We found: |
1281 results |
By media type: |
Books: | Journal articles: | Magazine articles: | Newspaper articles: | Encyclopedia articles: |
|
|