OLIVIER, LAURENCE KERR, BARON OLIVIER OF BRIGHTON

ōlĭvˈē-āˌ, 1907–89, English actor, director, and producer. He made his stage debut at Stratford-on-Avon in 1922 and soon achieved renown through his work with the Old Vic company. Noted for his remarkable versatility and striking features, he enjoyed universal admiration for his work in the classics, in modern realistic plays, and in comedy. His films include Wuthering Heights (1939), Rebecca (1940), Pride and Prejudice (1940), Henry V (1944), Richard III (1956), The Entertainer (1960), Othello (1965), and Three Sisters (1970). In 1948 he won an Academy Award for his portrayal of Hamlet in the film that he also produced and directed. In 1962, Olivier was appointed director of the National Theatre of England, which became one of the finest repertory companies in the world. In the 1970s and 1980s, he was a highly prized character actor, appearing in such roles as the Nazi villain in The Marathon Man (1976). Olivier was knighted in 1947 and in 1970 was made a life peer, the first actor to be so honored.

Olivier often costarred on stage and screen with his second wife, Vivien Leigh, 1913–67, a delicate brunette who made a spectacular American film debut in Gone with the Wind (1939), winning the Academy Award. She followed this with Waterloo Bridge (1940), Lady Hamilton (with Olivier as Nelson, 1941), and A Streetcar Named Desire (1951), for which she won a second Academy Award.

See F. Barker, The Oliviers (1953); Olivier, a collection of memoirs by his friends, ed. by L. Gourlay (1973); Olivier's own disquisition on acting (1986); biographies by H. Vickers (1989), A. Walker (1989), and D. Spoto (1992, repr. 2001).

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The Columbia Encyclopedia, Sixth Edition Copyright© 2004, Columbia University Press. Licensed from Lernout & Hauspie Speech Products N.V. All rights reserved.

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Questia Books and Articles on: Olivier Laurence Kerr Baron Olivier of Brighton
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books on: Olivier Laurence Kerr Baron Olivier of Brighton  - 124 results

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...theatre, and gender. Laurence Senelick is Fletcher Professor of Drama at Tufts University...Laurence Senelick The right of Laurence Senelick to be identified...changing room: varieties of theatrical cross-dressing/Laurence Senelick. p. cm.-(Gender...
...was not remembered for his academic achievements. Similarly Baron G. G. A. von Diesgardt spent two dilatory years at Christ Church...259. 2 C. K. Allen ed. , The First Fifty Years of the Rhodes Trust and the Rhodes Scholarships 1903-1953 Oxford...
...ability to close a show was unmistakable. True, the admired Walter Kerr also wrote for the Times, but he was the Sunday columnist...problem, from occasional guest reviewers to running a box score of other critics opinions next to Barness copy. But the Times...
...be known as members of the "Brighton school," although they...that Porter saw some of the earlier Brighton work, since it was occasionally...mutual: several later Brighton productions were clearly...the continuity editing of Porters The Great Train...
...Roger Louis, CBE, D. Litt., FBA Kerr Professor of English History and Culture, University...Colorado, and Mr and Mrs Baine Kerr of Houston, Texas. We have benefited...LOUIS (D. Litt., Oxford) FBA is Kerr Professor of English History and Culture, and...
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newspaper articles on: Olivier Laurence Kerr Baron Olivier of Brighton  - 1 result

 
 
...Olivier, soon to become The Right Honourable Baron Olivier of Brighton. Im very sorry, Sir Laurence, stammered the steward, but Im afraid the kippers...alluded began early in the life of Laurence Kerr Olivier, born on May 22, 1907, at 26 Wathen...


 

encyclopedia articles on: Olivier Laurence Kerr Baron Olivier of Brighton  - 2 results

 
 
OLIVIER, LAURENCE KERR, BARON OLIVIER OF BRIGHTON oliv e-a , 1907...directed. In 1962, Olivier was appointed director of the National Theatre...L. Gourlay, ed., Olivier, a collection of memoirs by his friends...
LEIGH, VIVIEN see under Olivier, Laurence Kerr, Baron Olivier of Brighton . ____________________ Copyright 2009 Columbia University Press. Used with the permission of Columbia University Press. All rights reserved.


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