PISANO, NICOLA

nēkôˈlä, b. c.1220, d. between 1278 and 1287, major Italian sculptor, believed to have come from Apulia. He founded a new school of sculpture in Italy. His first great work was the marble pulpit for the baptistery in Pisa, completed in 1259. Its form was hexagonal, with panels in high relief consisting of scenes from the life of Jesus. The pulpit is supported by elaborate columns, three of which rest on carved lions. The shape of the pulpit and the use of antique prototypes are thought to derive from an early training in S Italy. Imbued with the classic spirit, Nicola concentrated on the human figure, creating a style of monumental dignity. From 1265 to 1268 he worked on a larger pulpit for the cathedral at Siena. Assisted by his son Giovanni and other pupils, he allowed them a greater part of the execution. The narrative scenes show more freedom of treatment and a tendency toward the more linear French Gothic form. His last great project was the fountain at Perugia. With Giovanni he designed 24 statues and twice as many reliefs, all finished (1278) within one year. Nicola Pisano was the earliest noted Italian sculptor.

See study by G. H. Crichton and E. R. Crichton (1938).

His son, Giovanni Pisano, b. c.1250, d. after 1314, was a sculptor and architect. With his dramatic use of line and his taste for elaborate decoration, he is thought to have had a firsthand acquaintance with the Gothic art of France. Besides assisting his father in work on the pulpit for the cathedral at Siena and on the fountain at Perugia, he independently executed a pulpit (1298–1301) for Sant' Andrea, Pistoia, and a pulpit (1302–10) for the cathedral at Pisa. The last was reconstructed in 1926, though several fragments are dispersed (Metropolitan Mus.; Berlin). He carved several free-standing statues of the Madonna, which are in Pisa, Padua, and Prato. In 1312 he made the tomb of Margaret, wife of Emperor Henry VII. Fragments of it are still in Genoa. Giovanni also designed an ornate facade for the cathedral at Siena.

See study by M. Ayrton (1969).

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The Columbia Encyclopedia, Sixth Edition Copyright© 2004, Columbia University Press. Licensed from Lernout & Hauspie Speech Products N.V. All rights reserved.

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books on: Pisano Nicola  - 196 results

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NICOLA PISANO and the REVIVAL OF SCULPTURE IN ITALY...reserved 1. Pisa. Pulpit in Baptistery. NICOLA PISANO and the REVIVAL OF SCULPTURE IN ITALY...the second part of the book the work of Nicola Pisano has been approached from the descriptive...
...Cola dAmatrice , from Lazio also known as Nicola Filotesio 1489 1559 , erected in LAquila the...Chietis patron saint, Giustino, the work of Nicola da Guardiagrele also known as Nicola di Andrea Gallucci 1380/ c. 1395 c. 1462/1471...
...certain of the heads made by Nicola Pisano for the Pisa Baptistery pulpit...in the works of Giotto and Nicola Pisano. If Ducati felt like this, might...same type was known and used by Nicola Pisano Seidel 1975, 342 , so perhaps...
...between 1320 and 1330. Nicolo Pisano, Pisa, Pulpit in the Baptistry, ca. 1260...Alexander the Great. Rome, S. Nicola in Carcere. Duccio di Buoninsegna...Museum of Art, ca. 1525-1530. Nicolas Beatrizet after Baccio Bandinelli, The...
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magazine articles on: Pisano Nicola  - 1 result

 
 
...to take his place in a grand tradition going back to Donatello in the early 15th century, indeed in some respects to Nicola Pisano in the 13th. This is one example. There are many others. In the second half of the 19th century, there were in Paris...


 

newspaper articles on: Pisano Nicola  - 1 result

 
 
...the graceful 13th-century Fontana Maggiore, an exquisite circular fountain adorned with sculptures and bas reliefs by Nicola Pisano and his son, Giovanni. The National Gallery of Umbria with its first-rate collection of religious art is on the upper...


 

encyclopedia articles on: Pisano Nicola  - 10 results

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PISANO, NICOLA neko la peza no, b. c.1220, d. between 1278 and 1287, major Italian...statues and twice as many reliefs, all finished (1278) within one year. Nicola Pisano was the earliest noted Italian sculptor. See study by G. H. Crichton...
...the most important sculptor of the late Romanesque period in N Italy, Antelami was an aesthetic forebear of Nicola and Giovanni Pisano . His relief carvings emphasize rhythmic design by means of drapery details on elongate figures and tight compositions...
...methods of representing the visible world occurred in Italy during the second half of the 13th cent. The sculptor Nicola Pisano evoked an interest in the forms of classical antiquity. In painting Giotto led the way in giving the human figure...
...exemplified by Pietro Cavallini and of the sculptors Nicola and Giovanni Pisano . Whatever his training, it is certain that Giotto...of the relief decoration later completed by Andrea Pisano. Among the panel paintings attributed to Giotto...
...the same time, a school of sculpture founded by Nicola Pisano flourished in Pisa and gave the city some of...fine marble facade, bronze panels by Bonnano Pisano, and a pulpit by Giovanni Pisano (reconstructed after a fire in 1926); the marble...
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