Bridges to Fantasy
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by George E. Slusser, Eric S. Rabkin, Robert Scholes.
231 pgs.
...Conference on Science Fiction and Fantasy Literature 2nd: 1980: University of...literature, and, by extension, fantasy literature in general, are literary...
Coordinates: Placing Science Fiction and Fantasy
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by George E. Slusser, Eric S. Rabkin, Robert Scholes.
210 pgs.
...on Science Fiction and Fantasy Literature 3rd : 1981 : University...the case of popular literature like science fiction and fantasy, but in the mass paperback...whom recent...
Intersections: Fantasy and Science Fiction
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by George Edgar Slusser, Eric S. Rabkin.
256 pgs.
...Science Fiction and Fantasy Literature 7th: 1985: University...they might "turn to fantasy as a virgin soil, and give to English literature an entertainment comparable...as...
Worlds within Women: Myth and Mythmaking in Fantastic Literature by Women
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by Thelma J. Shinn.
216 pgs.
Focusing on the connection between metaphor and myth, Thelma Shinn provides a methaphoric reading of fantastic literature by women that enables the reader to glimpse its underlying mythic purpose and content. She examines some seventy novels by twenty-four women writers and draws on a rich variety...
Focusing on the connection between metaphor and myth, Thelma Shinn provides a methaphoric reading of fantastic literature by women that enables the reader to glimpse its underlying mythic purpose and content. She examines some seventy novels by twenty-four women writers and draws on a rich variety of secondary sources in literature, women's studies, science fiction/fantasy scholarship, and comparative mythology.
The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-Century Children's Fantasy Literature
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by David Sandner.
162 pgs.
Many Victorian and Edwardian fantasy stories began as extemporaneous oral tales told for the delight of children and, like Alice in Wonderland and The Wind in the Willows, were written down by chance. These fanciful stories, told with child-like spontaneity, are analyzed here to argue their role in...
Many Victorian and Edwardian fantasy stories began as extemporaneous oral tales told for the delight of children and, like Alice in Wonderland and The Wind in the Willows, were written down by chance. These fanciful stories, told with child-like spontaneity, are analyzed here to argue their role in the revolution not only of children's literature, but of the general conception of childhood. In contrast to the traditional moral tales of the 18th century that were written with the express purpose of instructing children how to become adults, this literature that Sandner identifies as the "fantastic sublime" reveled in the imagination and the enjoyment of reading. By looking at the structure of the Romantic sublime and inventing and exploring the structure of the fantastic sublime, this work offers a completely new way to examine 19th-century children's fantasy literature, and perhaps, fantastic literature in general.