Giorgio Vasari

Vasari, Giorgio - jôrˈjō väzäˈrē, 1511–74, Italian architect, writer, and painter. He is best known for his entertaining biographies of artists, Vite de' più eccellenti architetti, pittori e scultori italiani (1550, rev. ed. 1568). The standard modern edition is that annotated by Gaetano Milanesi (1878), translated into English by Read More...

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Giorgio Vasari

1 .

The Lives of the Artists
by Giorgio Vasari, Julia Conaway Bondanella, Peter Bondanella. 598 pgs.

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These biographies of the great quattrocento artists have long been considered among the most important of contemporary sources on Italian Renaissance art. Vasari, who invented the term "Renaissance," was the first to outline the influential theory of Renaissance art that traces a progression through Giotto, Brunelleschi, and finally the titanic figures of Michaelangelo, Da Vinci, and Raphael. This new translation, specially commissioned for the World's Classics series, contains thirty-six of the most important lives and is fully annotated.

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Title Page

Oxford World's Classics

Contents

Introduction

Note on the Translation

Select Bibliography

A Chronology of Giorgio Vasari

Part One

Preface to the Lives

The Life of Cimabue, Florentine Painter [c. 1240-1302?]

The Life of Giotto, Florentine Painter, Sculptor, and Architect* [1266/7-1337]

The Life of Simone [martini] of Siena [c.1284-1344]

Part Two

Preface to Part Two

The Life of Jacopo Della Quercia, Sienese Sculptor [c.1374-1438]

The Life of Luca Della Robbia, Sculptor [c. 1400-1482]

The Life of Paolo Uccello, Florentine Painter* [1397-1475]

The Life of Lorenzo Ghiberti, Sculptor [c.1381-1455]

The Life of Masaccio from San Giovanni Di Valdarno, Painter [1401-1428]

The Life of Filippo Brunelleschi, Sculptor and Architect [1377-1446]

The Life of Donatello, Florentine Sculptor [1386-1466]

The Life of Piero Della Francesca, Painter from Borgo San Sepolcro [c.1420-1492]

The Life of Fra Giovanni of Fiesole [fra Angelico] of the Order of Preaching Friars, Painter [c. 1387-1455]

The Life of Leon Battista Alberti, Florentine Architect [1404-1472]

The Life of Antonello Da Messina, Painter [c. 1430-1479]

The Life of Fra Filippo Lippi, Florentine Painter [c. 1406-1469]

The Life of Andrea Del Castagno of Mugello [c.1423-14571] and Domenico Veneziano [d. C.1461], Painters

The Life of Domenico Ghirlandaio, Florentine Painter [1449-1494]

The Life of Sandro Botticelli, Florentine Painter [1445-1510]

The Life of Andrea Mantegna, Painter of Mantua [c.1431-1506]

The Life of Bernardino Pinturicchio, Painter from Perugia [c. 1454-1513]

The Life of Pietro Perugino,* Painter [c.1450-1523]

The Life of Luca Signorelli of Cortona, Painter [c. 1441-1523]

Part Three

Preface to Part Three

The Life of Leonardo Da Vinci, Florentine Painter and Sculptor [1452-1519]

The Life of Giorgione Da Castelfranco, Venetian Painter [c.1478-1510]

The Life of Raphael of Urbino, Painter and Architect [1483-1520]

The Life of Madonna Properzia De' Rossi, Sculptress from Bologna [ic.1490-1530]

The Life of Rosso, Florentine Painter [1494-1540]

The Life of Domenico Beccafumi, the Sienese Painter and Master Caster [1486-1551]

The Life of Jacopo Da Pontormo, Florentine Painter [1494-1556]

The Life of Michelangelo Buonarroti, Florentine Painter, Sculptor, and Architect [1475-1564]

The Author: to Artists of the Art of Design*

Explanatory Notes
2 .

Lives of the Most Eminent Painters, Sculptors & Architects, Vol. IV
by Giorgio Vasari, E. H. Blashfield, E. W. Blashfield, A. A. Hopkins. 454 pgs.

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Antonio Da San Gallo, Florentine Architect

Michelagnolo Buonarroti, Florentine Sculptor, Painter, and Architect

A Description of the Works of Titian of Cadore, Painter

Jacopo Sansovino, Sculptor and Archi. Tect

Bibliography

Appendix

Index of Persons

Index of Places
3 .

Vasari on Theatre
by Giorgio Vasari, Thomas A. Pallen. 159 pgs.

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In the process of creating the massive work that eventually became Lives of the Most Eminent Painters, Sculptors, and Architects, painter and scholar Giorgio Vasari (1511-1574) spent much of the mid-sixteenth century traveling throughout Italy, meeting Renaissance artists and writing about their lives and works.
From this imposing source, Thomas A. Pallen has created a compendium of theatrical references augmented by related modern Italian scholarship. Vasari's Lives -- daunting because of its sheer magnitude -- has remained relatively obscure to English-speaking theatre historians. To introduce the numerous scenographic references of this great work to the English-speaking audience, Pallen provides new translations of all relevant passages, as well as a table of cross-references to the principal editions of Vasari in both English and Italian. And because Vasari often omitted important information, Pallen annotates the text, providing important names, places, and historical background.
Essentially, Pallen divides Vasari's work into four categories: triumphs and pageantry, ingegni for mystery plays and festivals, theatrical scenery, and miscellanea and lacunae. Although triumphs and pageantry were not directly theatrical, they were executed by many of the same artists who worked on theatrical productions and either used or introduced many Renaissance Italian theatrical techniques. The works described here range from tableaux vivants and other forms of street decoration to fireworks displays.
While Vasari did not personally know the work of either Filippo Brunelleschi or Francesco d'Angelo (called Cecca), he discusses their inventions for staging mystery plays and street festivals;indeed, Pallen shows how the work of these two artists paved the way for all later Renaissance scenography.
Pallen then deals with Vasari's references to and descriptions of the theatrical scenery and lighting effects of h

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Contents

Acknowledgments

Introduction

Part One: Pageantry and Theatre

Chapter Two: Ingegni for Mystery Plays and Festivals

Chapter Three: Theatrical Scenery

Chapter Four: Miscellanea and Lacunae

Part Two: Excerpts from Le Vite De' Più Eccellenti Pittori, Scultori Et Architettori

Part Three: Supplemental Documents

Appendixes Notes Bibliography Index

Appendix A: Cross-References to the Artists in The Devere and Milanesi Editions of Vasari's Lives

Appendix B: Life Spans of the Artists

Notes

Bibliography

Index
4 .

Readings in Italian Mannerism ("Vasari's Position as an Exponent of the Maniera Style" begins on p. 9)
by Liana De Girolami Cheney. 352 pgs.

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Title Page

Dedication

Acknowledgement

Table of Contents

List of Illustrations

Foreword

Preface

Introduction: Stylistic Problems in Mannerism and Maniera

Vasari's Position as an Exponent of the Maniera Style

Preface to the Third Part

Maniera as an Aesthetic Ideal

Mannerism and Maniera*

Observations on the Painting of the Maniera

Mannerism and Anti-Mannerism in Italian Painting

El Greco and Mannerism

Mannerism: the Historiographic Background

Observations on the Use of the Concept of Mannerism

Mannerism, Italian Style

Maniera and Movement: the Figure Serpentinata

Mannerist Art: Survival and Collection

Selected Bibliography

Index
5 .

Genius and the Mind: Studies of Creativity and Temperament ("Vasari's Background" begins on p. 258)
by Andrew Steptoe. 274 pgs.

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Taking as examples the lives of creative individuals through history, Genius and the Mind considers the nature of creativity and genius from a psychological standpoint. Eleven chapters, contributed by leading researchers, span the range of approaches used to understand the subject. A discussion of heredity considers the extent to which genes play a part in giftedness. The importance of social context in defining and acknowledging creativity is explored. Several chapters look at training and skill development in exceptional individuals, and a number of contributions scrutinize the links between creativity, temperament, and mental health. Mozart's precocity, Byron's mania, the personalities of the Italian Renaissance painters, and the psychoses of many celebrated writers are all discussed, making this a fascinating text for anyone with an interest in the psychology of genius and geniuses, as well as for students and researchers in the field.

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Foreword

Contents

Contributors

Figures Facing Chapter Openings

Chapter 1: Exceptional Creativity and the Psychological Sciences

Chapter 2: The Genetics of Genius

Chapter 3: Creativity and Genius: a Systems Perspective

Chapter 4: Historical Developments of Expert Performance: Public Performance of Music

Chapter 5: Early Lives: Prodigies and Non-Prodigies

Chapter 6: Mathematical Giftedness and Mathematical Genius: a Comparison of G. H. Hardy and Srinivasa Ramanujan

Chapter 7: Mozart: Resilience under Stress

Chapter 8: The Creative Genius of William Shakespeare: Historiometric Analyses of His Plays and Sonnets

Chapter 9: Lord Byron: the Apostle of Affliction

Chapter 10: Creativity and Madness: Clues from Modern Psychiatric Diagnosis

Chapter 11: Artistic Temperament in the Italian Renaissance: a Study of Giorgio Vasari's Lives

Index
6 .

Artistic Theory in Italy, 1450-1600 (Chap. VII "Vasari")
by Anthony Blunt. 174 pgs.

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ARTISTIC THEORY IN ITALY 1450-1600

PREFACE TO SECOND IMPRESSION

PREFACE TO THE FOURTH IMPRESSION

PREFACE TO FIRST EDITION

CONTENTS

List of Plates

Chapter I Alberti

Chapter II Leonardo

Chapter III Colonna: Filarete: Savonarola

Chapter IV the Social Position of the Artist

Chapter V Michelangelo

Chapter VI the Minor Writers of the High Renaissance

Chapter VII Vasari

Chapter VIII the Council of Trent and Religious Art

Chapter IX the Later Mannerists

BIBLIOGRAPHY

INDEX

THE OXFORD AUTHORS

HISTORY IN OXFORD PAPERBACKS TUDOR ENGLAND

OXFORD REFERENCE THE CONCISE OXFORD COMPANION TO ENGLISH LITERATURE
7 .

The Letters of Michelangelo, Vol. Two: 1537-1563 (Chap. 39 "Michelangelo and Giorgio Vasari")
by Michelangelo Buonarroti, E. H. Ramsden. 340 pgs.

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Contents of Volume II

List of Plates

THE INTRODUCTION

Chronology: 1534-1564

IX: From Rome 1537-1542

TO THE SIGNORA VITTORIA COLONNA, MARCHESA DI PESCARA

TO THE MAGNIFICENT MESSER PIETRO ARETINO IN VENICE

To GIOVAN SIMONE DI LODOVICO BUONARROTI IN FLORENCE

To LIONARDO BUONARROTI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO IN FLORENCE

TO LIONARDO BUONARROTI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO MESSER NICCOLÒ MARTELLI IN FLORENCE

X: From Rome 1542-1545

To LIONARDO DI BUONARROTO

TO MESSER LUIGI DEL RICCIO IN ROME

TO MESSER LUIGI DEL RICCIO IN ROME

To MESSER LUIGI DEL RICCIO IN ROME

PETITION TO POPE PAUL III

TO MESSER LUIGI DEL RICCIO, DEAREST FRIEND

TO MESSER LUIGI DEL RICCIO, DEAREST FRIEND

TO MONSIGNOR . . . . . . . . . . DATARY

TO MONSIGNORE . . . . . . . . . . . . .

TO MESSER LUIGI DEL RICCIO IN ROME

TO GISMONDO DI LODOVICO BUONARROTI SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO MESSER LUIGI DEL RICCIO

TO THE CASTELLAN OF THE CASTEL SANT' ANGELO IN ROME

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO MESSER LUIGI DEL RICCIO

TO MESSER LUIGI DEL RICCIO, FRIEND, OR RATHER, HONOURED PATRON, IN ROME

TO GIOVAN SIMONE AND GISMONDO

TO MESSER LUIGI DEL RICCIO

TO MESSER SALVESTRO MONTAGUTO AND COMPANY IN ROME

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO MESSER LUIGI DEL RICCIO IN ROME

XI: From Rome 1545-1546

TO MESSER LUIGI DEL RICCIO IN ROME

TO MESSER LUIGI DEL RICCIO IN ROME

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO MESSER LUIGI DEL RICCIO, DEAR FRIEND, IN LYONS

U+00G6 TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO HIS DEAREST LIONARDO BUONARROTI, AS TO A SON, IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO MESSER LUIGI DEL RICCIO IN ROME

TO THE MOST CHRISTIAN KING OF FRANCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

XII: From Rome 1547 - 1549

To MESSER BARTOLOMEO FERRATINI IN ROMEU

TO LIONARDO DI BOUNARROTO SIMONI IN FLORENCE

TO MESSER LUCA MARTINI IN FLORENCE

TO MESSER BENEDETTO VARCHI

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO FRANCESCO, PRIEST IN SANTA MARIA IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO THE MAGNIFICENT MESSER BENVENUTO ULIVIERI AND PARTNERS IN ROME

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

XIII: From Rome 1550-1555

To MONSIGNORE CRISTOFORO SPIRITI DA CESENA

To MESSER GIOVAN FRANCESCO FATTUCCI, PRIEST OF SANTA MARIA DEL FIORE, DEAREST FRIEND, IN FLORENCE

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BOUNARROTO SIMONI IN FLORENCE

TO MESSER GIORGIO VASARI, PAINTER AND SPECIAL FRIEND, IN FLORENCE

[TO THE MOST REVEREND MONSIGNORE, CARDINAL. . . . .]

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

To MESSER GIORGIO VASARI, FRIEND AND EXCELLENT PAINTER

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

XIV: From Rome 1555-1559

To MESSER GIORGIO VASARI

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO MESSER GIORGIO VASARI, MOST RARE OF PAINTERS, IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

To MESSER GIORGIO VASARI, DEAR FRIEND, IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO MESSER GIORGIO VASARI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

[TO MONA CORNELIA DI GUIDO COLONELLO, WIDOW OF FRANCESCO D'AMADORE, AT CASTEL DURANTE]

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO THE ILLUSTRIOUS LORD COSIMO, DUKE OF FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO MESSER GIORGIO VASARI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

[TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE]

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO MESSER BARTOLOMEO AMMANATI IN FLORENCE

XV: From Rome 1559-1563

TO THE MOST ILLUSTRIOUS LORD DUKE OF FLORENCE

TO THE MOST ILLUSTRIOUS AND MOST EXCELLENT LORD DUKE OF FLORENCE AND SIENA AND MY MOST HONOURED PATRON

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

To LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO BUONARROTI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

TO LIONARDO DI BUONARROTO SIMONI IN FLORENCE

Drafts: 7-11 From Rome 1540-1555

To MESSER SALVESTRO DA MONTAGUTO IN ROME

TO GIOVAN FRANCESCO, PRIEST IN SANTA MARIA IN FLORENCE

TO MESSER GIORGIO VASARI IN FLORENCE

The Dating and Sequence of the Letters

APPENDIXES: 26-44

Bibliography

Index of Correspondents

Index
8 .

The History of Art History (Chap. I "Artists Histories")
by Udo Kultermann. 278 pgs.

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Title Page

Contents

Preface

Acknowledgments

Introduction

I: Artists Histories

II: Poussin and the French Academy

III: Art in the Enlightenment

IV: The LaocoÖn Debate

V: Winckelmann's Revolution

VI: Toward an Historical Discipline

VII: Goethe as Art Historian

VIII: Art History in Romanticism

IX: Rumohr and the Berlin School

X: Jakob Burckhardt and the Renaissance

XI: Reality and Method

XII: Art History in the GrÜnderzeit

XIII: The Dresden Holbein Debate

XIV: Impressionist Aesthetics

XV: The Vienna School

XVI: The Discovery of Form

XVII: Art History at the Turn of the Century

XVIII: Art Chistory of Expressionism

XIX: The Founding of Iconology

XX: Foundations of Art History Today

Epilogue: The Image of the Art Historian

Notes

Suggestions for Further Reading

Index of Names

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