Marguerite de Navarre

Viewing artistic works through the lens of both contemporary gerontological theory and postmodernist concepts, the contributing scholars examine literary treatments, cinematic depictions, and artistic portraits of aging from Shakespeare to Hemingway, from Horton Foote to Disney, from Rembrandt to Alice Neale, while also comparing the attitudes toward aging in Native American, African American, and Anglo American literature. The examples demonstrate that long before gerontologists endorsed a Janus-faced model of aging, artists were celebrating the diversity of the elderly, challenging the bio-medical equation of senescence with inevitable senility. Underlying all of this discussion is the firm conviction that cultural texts construct as well as encode the conventional perceptions of their society; that literature, the arts, and the media not only mirror society's mores but can also help to create and enforce them.

This is the fourth in the series of proceedings of the interdisciplinary conference sponsored by the Center for Renaissance & Baroque Studies at the University of Maryland. This volume reflects the commitment of scholars to the exploration of early modern

The aim of this book is to introduce the modern student to readings of French Renaissance literature, drawing on the perspectives of contemporary literary theories. The volume is organized by paired readings of five major sixteenth-century French writers, with interpretations covering, among others, structuralism, semiotics, feminism and psychoanalysis. Linking these interpretations is a constant interest in problems such as the role of the reader, the nature of the text and the question of gender. The Introduction contextualizes the encounter between literary theory and Renaissance texts by using the contributions as pivotal points in the development of critical thinking about this period in early modern literature. All foreign language quotations are translated into English, and the book is intended to be of practical interest to a wide range of readers, from modern linguists to those studying critical theory, comparative literature or cultural history.

Fifty-one essays cover the lives and works of the most important women writers in the history of French literature with an emphasis on their experiences as writers, a discussion of their major themes, and brief surveys of critical reactions. Each essay is followed by a bibliography of primary works, a list of titles translated into English, and a selection of critical studies. An additional essay describes the trobairitz, the women troubadours of the 12th and 13th centuries. The volume ends with a chronology featuring the dates of events and trends of special significance to French women.