In the wake of the Kennedy era, a new kind of ethnic hero emerged within African-American popular culture. Uniquely suited to the times, burgeoning pop icons projected the values and beliefs of the Civil Rights and Black Power movements, and reflected both the possibility and the actuality of a rapidly changing American landscape. In Black Camelot, William Van Deburg examines the dynamic rise of these new black champions, the social and historical contexts in which they flourished, and their powerful impact on the African-American community. "Van Deburg manages the enviable feat of writing with flair within a standardized academic framework, covering politics, social issues and entertainment with equal aplomb."--Jonathan Pearl, Jazz Times "[A] fascinating, thorough account of how African-American icons of the 1960s and '70s have changed the course of American history. . . . An in-depth, even-tempered analysis. . . . Van Deburg's witty, lively and always grounded style entertains while it instructs."--Publishers Weekly
In this important new study, Earl Ofari Hutchinson examines in detail the American Communist Party's efforts to win the allegiance of black Americans and the various responses to this from the black community. Beginning with events of the 1920s, Hutchinson discusses at length the historical forces that encouraged alliances between African Americans and the predominately white American Communist Party. He also takes an indepth look at why, and how, issues of class, party ideology, and racial identity stood in the way of a partnership of black leaders and communists in the United States. Blacks and Reds addresses landmark events surrounding associations between communists and black activists. Hutchinson examines, among other things, how Paul Robeson and W.E.B. DuBois's support of party activities affected their lives and how the Communist Party used the trial of Angela Davis to promote its own interests. His scope ranges from oft forgotten signs of misdirection, such as how communists' efforts to express racial sympathy in the early 1950s contributed to their own near destruction during the McCarthy era, to a thorough discussion of how the Party's effort to gain a foothold in Stokely Carmichael's SNCC, Malcolm X and Elijah Muhammad's Nation of Islam, Martin Luther King's SCLC, and Huey Newton and Eldridge Cleaver's Black Panthers shook up the civil rights movement by triggering the FBI's secret war against King, Malcolmi X, and others considered to be black radicals.