Hippies

Decade by decade, this resource offers an overview of all aspects of American teenagers' lives from 1900 to 1999, as they evolved through the century. Using a variety of sources from sociological studies to popular magazines, this work shows how teens have responded to the political events that have characterized each decade. It also describes the patterns that have affected their home, work, and school lives, patterns of dating and sex, trends in alcohol and drug use, teen tastes in books and movies, and use of slang and fashion. Seventy illustrations make the personalities, interests, and media of each decade come alive for students of history, literature, and popular culture.

Takin' It to the Streets is a comprehensive collection of primary documents covering political, social and cultural aspects of the 1960's. Drawn from mainstream sources, little-known sixties periodicals, pamphlets and public speeches, this anthology brings together representative writings many of which have been unavailable for years or have never been reprinted, from the Port Huron Statement and Malcolm X's "The Ballot or the Bullet" to Richard Nixon's "If Mob Rule Takes Hold in the U.S." and Ronald Reagan's "Freedom versus Anarchy on Campus." Introductions and headnotes by the editors help highlight the importance of particular documents while relating them to each other and placing them within the broader context of the decade. While paying particular attention to civil rights, anti-war activity, Black power, the counter-culture, the women's and gay/lesbian struggles for recognition, the authors also take into account the conservative backlashes these sparked and thus present a balanced portrait of a tumultous era. Covering an extremely popular period of history, Takin' It to the Streets stands out as a thorough and accessible collection of documents, an authoritative reader for a decade such as America had not seen before or experienced since.

It began in 1960 with the Greensboro sit-ins. By 1973, when a few Native Americans rebelled at Wounded Knee and the U.S. Army came home from Vietnam, it was over. In between came Freedom Rides, Port Huron, the Mississippi Summer, Berkeley, Selma, Vietnam, the Summer of Love, Black Power, the Chicago Convention, hippies, Brown Power, and Women's Liberation--The Movement--in an era that became known as The Sixties. Why did millions of Americans become activists; why did they take to the streets? These are questions Terry Anderson explores in The Movement and The Sixties, a searching history of the social activism that defined a generation of young Americans and that called into question the very nature of "America." Drawing on interviews, "underground" manuscripts colleceted at campuses and archives throughout the nation, and many popular accounts, Anderson begins with Greensboro and reveals how one event built upon another and exploded into the kaleidoscope of activism by the early 1970s. Civil rights, student power, and the crusade against the Vietnam War composed the first wave of the movement, and during and after the rip tides of 1968, the movement changed and expanded, flowing into new currents of counterculture, minority empowerment, and women's liberation. The parades of protesters, along with schocking events--from the Kennedy assassination to My Lai--encouraged other citizens to question their nation. Was America racist, imperialist, sexist? Unlike other books on this tumultuous decade, The Movement and The Sixties is neither a personal memoir, nor a treatise on New Left ideology, nor a chronicle of the so-called leaders of the movement. Instead, it is a national history, a compelling and fascinating account of a defining era that remains a significant part of our lives today.

Progressing at a dizzying, frenetic pace, the 1960s were synonymous with rebellion and conflict. No other decade in the 20th century was so tumultuous. This gripping and engagingly written guide to the forces that shaped the 1960s cultural revolution examines the New Left, the antiwar movement, and the counterculture. A narrative historical overview puts the decade in perspective. Essays follow on each of the above topics, and a concluding essay discusses the legacy of the era. The work also features a wealth of ready reference material--a comprehensive timeline of events in the 1960s, biographical profiles of key players, the text of important primary documents associated with the political, social, and cultural rebellion, a glossary of terms, and a helpful annotated bibliography of print and nonprint materials suitable for students.

This is the first authoritative study of the music and history of progressive rock, a genre praised for its virtuoso instrumental solos and gargantuan stage shows, but also criticized for its privileged, upper-middle class roots. By using an interdisciplinary approach that draws together cultural theory, musicology, and music criticism, Macan illuminates how progressive rock - which includes bands such as King Crimson, Emerson Lake and Palmer, Yes, Genesis, the Moody Blues, and PinkFloyd - served as a vital cultural expression of the counterculture of the late 1960s and 1970s in England.

Few eras in U.S. history have begun with more optimistic promise and ended in more pessimistic despair than the 1960s. When J.F.K. became president in 1960, the U.S. was the hope of the world. Ten years later American power abroad seemed wasted in the jungles of Indochina, and critics at home wondered whether the U.S. was really the "land of the free and the home of the brave." This book takes an encyclopedic look at the decade--at the individuals who shaped the era, the civil rights movement, the antiwar movement, and the youth rebellion. It covers the political, military, social, cultural, religious, economic, and diplomatic topics that made the 1960s a unique decade in U.S. history.

During the fateful summer of 1966, a handful of restless and frustrated deejays in New York and San Francisco began to conceive of a whole new brand of radio, one which would lead to the reinvention of contemporary music programming. Gone were the screaming deejays, the two minute doowop hits, and the goofy jingles. In were the counterculture sounds and sentiments that had seldom, if ever, made it to commercial radio. This new and unorthodox form of radio--this radical departure from the Top 40 establishment--reflected the social and cultural unrest of the period. Underground radio had been born of a desire to restore substance and meaning to a medium that had fallen victim to the bottom-line dictates of an industry devoted to profit. In this compelling and intriguing account of the counterculture radio movement, over 30 pioneers of the underground airwaves share insights and observations, and tell it like it was.

Berkeley, California stood at the center of the political, social, and cultural upheaval that made the 1960s a unique period in American history. In Berkeley at War, W.J. Rorabaugh, who attended the graduate school of the University of California at Berkeley in the 1970s, presents a lively, informative account of the events that changed forever what had once been a quiet, conservative white suburb. Rorabaugh's meticulously researched, authoritative narrative covers the entire period, from the rise of the Free Speech Movement to the growth and increasing militance of a black community struggling to end segregation; from the emergence of radicalism and the anti-war movement to the blossoming "hippie" culture; and from the explosive conflict over People's Park to the beginnings of modern-day feminism and environmentalism. An invaluable account of its time and place, Berkeley at War anchors the sixties in American history, both before and since that colorful decade.