Aristophanes

Aristophanes (ăr´Ĭstŏf´ənēz), c.448 BC–c.388 BC, Greek playwright, Athenian comic poet, greatest of the ancient writers of comedy. His plays, the only full extant samples of the Greek Old Comedy, mix political, social, and literary satire. The direct attack on persons, the severity of invective, and the burlesque extravagances made the plays fitting for the festival of Dionysus. Aristophanes was conservative in all things, hence he distrusted sophistry and Socrates alike, satirized Euripides' art as degenerate, and deplored the tendency to excessive imperialism that ruined Athens in the Syracusan expedition. The typical plan of an Aristophanic comedy is simple—the protagonist undertakes seriously some preposterous project, and the play is an elaboration of his success or failure. Despite the absurdity of the situation, Aristophanes' characters are real as types; their verisimilitude comes from their perfectly natural behavior in unnatural circumstances. Aristophanes' Greek is exceptionally beautiful, and many of his choruses are among the finest lyric pieces in Greek literature. His careful diction and his ability to characterize in a few words are remarkable, and he shows himself especially astute in his parodies of Euripides. Eleven of his plays survive: The Acharnians (425 BC), an attack on the Peloponnesian War; The Knights (424), a political satire on the demagoguery of the period; The Clouds (423), a satire on the sophists and on Socrates; The Wasps (422), a satire on the Athenian passion for litigation; The Peace (421), a defense of the Peace of Nicias; The Birds (414), an escape into an amazing imaginary kingdom; Lysistrata (411), in which the Athenian women boycott their husbands to end a war; The Thesmophoriazusae or The Women at Demeter's Festival (411), in which the women conspire to ruin Euripides because of his misogyny; The Frogs (405), a literary satire involving Aeschylus and Euripides; The Ecclesiazusae or The Women in Politics (c.392), in which the women take over the government; and Plutus (388), in which the blind god of wealth recovers his eyesight and distributes the gifts of fortune more equitably.

See his plays (ed. by M. Hadas, 1962, 1984); studies by G. Murray (1933, repr. 1964), C. Whitman (1964), K. J. Dover (1972), and V. Ehrenberg (new ed. 1974).

The Columbia Encyclopedia, 6th ed. Copyright© 2014, The Columbia University Press.

Selected full-text books and articles on this topic

Aristophanes: His Plays and His Influence
Louis E. Lord.
Marshall Jones, 1925
Oxford Readings in Aristophanes
Erich Segal.
Oxford University Press, 1996
Greek Drama and Dramatists
Alan H. Sommerstein.
Routledge, 2002
Librarian’s tip: "Aristophanes: Life and Works" begins on p. 63
Birds; Lysistrata; Assembly-Women; Wealth
Stephen Halliwell; Aristophanes.
Clarendon Press, 1997
Aristophanes' Lysistrata: A New Version
Gilbert Seldes; Aristophanes.
Farrar & Rinehart, 1930
Clouds
Aristophanes; Peter Meineck.
Hackett, 2000
Birds
Nan Dunbar; Aristophanes.
Clarendon Press, 1998
Librarian’s tip: Includes commentary plus the text of the play in Greek
Peace
S. Douglas Olson; Aristophanes.
Clarendon Press, 1998
Librarian’s tip: Includes commentary plus the text of the play in Greek
Rhetoric, Comedy, and the Violence of Language in Aristophanes' Clouds
Daphne Elizabeth O'Regan.
Oxford University Press, 1992
The Songs of Aristophanes
L. P. E. Parker.
Clarendon Press, 1997
Aristophanes: An Author for the Stage
Carlo Ferdinando Russo.
Routledge, 1997
Aristophanes and Athens: An Introduction to the Plays
Douglas M. MacDowell.
Oxford University Press, 1995
FREE! Aristophanes and the Political Parties at Athens
Maurice Croiset; James Loeb.
MacMillan, 1909
Venom in Verse: Aristophanes in Modern Greece
Gonda A. H. Van Steen.
Princeton University Press, 2000
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