David Mamet

Mamet, David - mămĕtˈ, 1947–, American playwright and film director, b. Chicago. He taught drama and produced some of his early plays at Goddard College. His work, often dealing with the success and failure of the American dream, is noted for its sharp, spare, compressed, often profane, and muscularly insightful dialogue. He came to public attention with such plays as Sexual Perversity in Chicago (1974) and American Buffalo (1975), later achieving success with the corrosively brilliant Glengarry Glen Ross (1983; Pulitzer) and Oleanna (1992). He also wrote screenplays for The Postman Always Rings Twice (1981), Hoffa (1992), the film version of Glengarry (1992), and many others. In 1987, Mamet made his debut as a film director with House of Games, a complex story about deception and gullibility; he has since written and directed several films, including The Spanish Prisoner (1997) and Heist (2001).

By the beginning of the 21st cent. Mamet was widely regarded as one of the finest American writers for stage and screen. Some of his later plays, such as The Cryptogram (1995) and The Old Neighborhood (1997), have explored difficult semiautobiographical material. Throughout his career, Mamet has treated the themes of belonging, the vagaries of authority, the pivotal role played by loyalty, and the importance of speaking the truth. In addition to over 20 plays and more than a dozen screenplays, the prolific Mamet has also written novels, e.g., The Village (1994), several collections of essays (including the autobiographical Jafsie and John Henry, 1999), and a book on acting (1997).

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